Articles

Requiem for a Dreamcast

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I used to think I was pretty clever when I told folks that “Nintendo made me a gamer. Ocarina of Time made me hardcore”. I kept thinking this for quite some time, but eventually realized that pre-OOT, I wasn’t really a “gamer”, just a kid whose game experience consisted of little more than a string of Nintendo consoles, a few hours on the Genesis, and a dusty old 486 PC. This was a time when fresh games came to my house twice a year if I was lucky.

After Zelda I truly became a “gamer”, though now I think it had less to with that game in particular and more to do with the fact that around that time I was introduced to a modern day computer, Next Generation Magazine, and a Sony Playstation. →  Readius III and IV

Pieces of a Perfect Game: Koei’s arduous slip into mediocrity

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Good strategy games can be hard to come by on consoles. The only company that reliably produces games in the genre is Koei, and, as I’ve noted before, their recent track record is not so good.

Koei is now widely known for their willingness to recycle old work in the form of Dynasty Warriors – to put it more nicely, they haven’t fixed anything that isn’t broken in a while. Their lesser-known, but longer-running, Romance of the Three Kingdoms series is now on its eleventh iteration. I haven’t gotten the latest one yet, because by now I’ve figured it out (took me long enough): Koei has a secret recipe for the ultimate officer-based strategy game, but they insist on releasing it a piece at a time. →  You’re tearing me apart lamers!

Game genres and classifications

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Recently I’ve been enjoying Gungrave Overdose, which you might remember as being reviewed as a solid little action game with a ridiculous 15 dollar retail price. With a solid combat system and great presentation, you could do a lot worse in the genre.

The question is, what genre am I talking about? The obvious answer is that this is an “action game”. But even though you shoot many enemies, this isn’t Gears of War or Rainbow Six. Gungrave is all about racking up multiple kills in a row with successive attacks, and using your limited arsenal to create combos. Playing it as a simple run-and-gun makes it a far more mindless experience than it actually is. So to be more specific, I would classify this as a “Devil May Cry”- like, something that most reviews agree with. →  Finger lickin’ read.

On licensed games

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Licensed games are probably the last thing an avid gamer would be worried about. Aside from the occasional gem, they are quite often the absolute bottom of the barrel in terms of quality. I still worry about them however, and there are plenty of reasons to do so. Let’s take a look at why.

The most important thing to understand about the modern licensed game is that it has changed greatly since the old days. Time was when video games were just another niche to exploit. They were never a primary source of profit, and so they never got a lot of money or attention. If they could whip up something playable and use marketing strength to sell enough copies, then that was good enough. →  Densha de Read! Shinkansen

Weekly News We Care About Wrap Up – 7.27.07

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Microsoft sort of wants you to buy an HD DVD add on
$20 off is not a good deal for something that costs $200, but that’s the amazing deal Microsoft is giving us on their 360 HD DVD add on. The move feels like a last ditch effort to make it appear that they still have a chance at beating the Blu Ray format. What is it with these companies that are desperate but not willing to allow this desperation to save me a lot of money? The PS3 should cost $300 and the 360 HD DVD doohickey should retail for $19.95.

Then there’s the prevalence of bundle deals. In addition to the twenty big ones you’d save buying the HD DVD drive, you’d also get five free movies. →  Get lame or get out.

Everything I know about RPGs I learned from Fallout

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These days, the few western RPGs that exist that are not MMO’s are trying to conquer a unique challenge: How do you create a living, breathing world for the player to engage in? We’ve got the graphics, the items, and years of combat engines to take inspiration from. But we’ve played in static worlds before, where quests and NPC’s never change, and your options to mold the world are limited. We want games where the roles we play actually mean something, to ourselves and those we interact with.

It isn’t an easy task. You need the right size world, and the right contents in said world. You need smart NPC’s that go about their daily lives, and a ton of dialogue options to give players the illusion they are talking to a genuine person. →  Are you ready for some readball?

Can’t Escape the Escapism Part 2

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There are reasons why we can’t escape certain games. And there’s a reason why it matters. Sometimes a game comes to mind simply because something in our real world reminds us of it. Once, I was on a campsite standing at the edge of a cluster of trees and the light of the setting sun fell in such a way to make me say, “ohmygoditlookslikezelda!” Now, I love Zelda games and I’ve spent many hours with them, but that’s the only time the land of Hyrule came close to interfering with my perception of the real world.

Other times, a game comes to mind simply because it’s awesome. We like it enough that we wish some of its elements actually existed. →  Tony Hawk’s Pro Reader 3

Gaming Meccas of Japan Pt. 1 — Den Den Town, Osaka, Japan

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Being a geek and living in Japan is kind of like mixing Ecstasy with LSD – it’s one hell of a trip. There are four places in Japan that should be on the must-see list for anyone who calls himself a nerd. The big one is Akihabara in Tokyo and I will be covering that in September along with The Tokyo Game Show. The third spot goes to Nintendo’s world headquarters in Kyoto but there isn’t much to see there because no one is allowed into the facility and tours are never provided. The fourth spot and topic of today’s installment is Den Den Town in Osaka.

Den Den Town can best be described as the poor man’s Akihabara. It is smaller in size, about four or five square blocks instead of an entire section of Tokyo. →  Read like G did.

How do you play a non-game?

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Language is powerful, which is a shame since I’m not a very good writer. Instead of bringing “war” to Iraq we are bringing “freedom”, and instead of being “the worst American president in the last 300 years”, Bush has “a low approval rating”. Debating the merits of something specific may work for thoughtful people, but it’s much easier to simply change people’s minds by changing how we refer to things.

And so we have non-games. First, I must explain that I am not taking a stance on the quality of any game, non-game or partial-game. It’s a shame that this needs to be said but many people confuse the debate over language as a debate over what the language describes.

“I’m not sure the terrorists hate us because of our freedom.” →  We are what we pretend to be, so we must be careful about what we play.

Ruining A Beautiful and Complicated World: Simcity Societies and How It Will Take a Dump on a Perfectly Good Franchise

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When I was twelve, my life changed. I was a chubby little kid who was obsessed with the Super Nintendo and for my birthday party my parents let me rent a few games to keep all of my little friends occupied and from ruining their house. One of the games I picked that day was something of a strange choice. Instead of running around killing things, you built a city and watched it grow. That’s it.

No mass multiplying mushrooms to eat, no princess to save, no Triforce to assemble. You simply sat down, plopped some buildings in, some roads to connect them, and then watched the whole thing grow. The game never really ended and you could devote hours to one city. →  Garou: Mark of the Posts