How The West Went Wrong

Let’s play a game that we’ll call, “Count The Genres”. Video games do a pretty good job of covering their bases in terms of the copious amount of scenarios and storylines they deal with. You have your run-of-the-mill sci-fi game, fantasy plots set in mystical realms, hospital simulations, farming sims, sports, you name it, there is probably a video game that touches on it in some way. There is one genre though that I am constantly amazed by the lack of coverage it receives and that is, the Western. How many Western themed games can you name?

I am curious as to why the Western genre gets as little love from electronic gaming as it does. This is especially true when you consider how romanticized the genre has been in books, radio, and film since the turn of the century. If one were to examine television from the Fifties and Sixties, shows like, “Gunsmoke”, “Rawhide”, and “Bonanza” were mainstays. The Seventies and Eighties brought viewers “Little House on The Prairie”. →  Some say the world will end in fire, some say in read more

Late to the Party: Earthbound

It took me over half a decade to finally play through Earthbound. I tried numerous times over the years but each time I stalled at or before the town of Onett. Eventually I figured out the problem: I was trying to play the game on a PC emulator, in environments where I couldn’t get comfortable, or even put the sound on. My latest solution to this dilemma was to play it on my cell phone, with stereo headphones and a slide out keyboard with the d-pad on the right. Not quite the same as playing it on a genuine SNES, but you’d be amazed at how much better a game can be when you can curl up on the couch and let the soundtrack drown out the outside world. At the very least, it helped me get past Onett and all the way to the end credits.

In general, I’m the kind of person who doesn’t really care about spoilers. I often like knowing what is coming ahead of time, and I believe that if a major plot event is done well enough, it can be just as powerful without the element of surprise. →  Finger lickin’ read.

Cloud Gaming Paranoia!!!

Call me paranoid but I have never been a fan of “cloud” computing. I like having all of my files stored on my computer. I like having my games on discs. I like knowing that if something goes haywire, I am the one responsible and I am the one that can fix it. It seems like the general trend for computing has been to have massive servers out there in the wilds of Oregon and Washington take care of all of the heavy lifting and maintenance of data while the computers we are using keep getting smaller and more portable. Gaming has followed these trends and I find it troubling for handful of reasons. I have always written off these worries as the product of my overactive imagination but recent events have given me reason to suspect I might be right to worry.

Take the recent issues with Ubisoft and Assassin’s Creed 2 for instance. Here you have thousands of people locked out of a game they own because the serverside DRM took a huge dump. →  Disaster Readport

Retrospective – Killer 7

Killer 7 was one of, if not the most polarizing game of its generation.  I have seen debates in which people are asked to “step on one side of the line” in regards to what they think of a game, but only after Killer 7 popularized the idea.  You must either love or hate this one, with no chance of finding a middle ground.

What could cause such divisive opinions in the first place?  We can start by blaming ourselves.  Killer 7 was announced early in the Gamecube’s life, when users were scrambling for another violent, mature game that could legitimize Nintendo’s place in the console war.  Nintendo’s family first attitude was costing them users and goodwill, so fans of the company felt compelled to defend them, as well as their purchase. If Killer 7 were good – nay, great – then perhaps it could inspire other developers to focus more on the ‘Cube.  Instead, the game was released in 2005, the same year as the Xbox 360.  →  Readalations: Persona

Looking Back at BioShock

The release date for BioShock 2 is around the corner; the game is already available for preorder in some places. So I’m going to take this moment to look back at the first game. BioShock one was kind of a big deal when it came out, and it still is; not a lot of games make it to the high 90s on Metacritic. Michael Abbot of brainygamer.com calls it “one of the defining games of its generation.” Calling three years ago a different generation is odd, but given the speed that the videogame culture moves, it’s not unreasonable. For better or for worse the statement is hard to dispute. BioShock left a lasting impression. Journalists for non-game oriented publishers even cite it as an example of how games can be an expressive art form. I didn’t play it when it was first released (I rarely do for games anymore). I waited for the hype (and the price) to die down, to see if it could withstand the test of time before I dropped twenty hours of my life into it. →  Drakenread 2

Changing Game Cases

When the Playstation 2 was released, gaming saw an unexpected, but seemingly logical shift in packaging.  CD jewel cases were replaced with the taller, sturdier cases used for DVD videos.  Considering the PS2 used DVDs, this made a lot of sense, and everyone appreciated having a case that wouldn’t break apart so easily.  It also helped video games look like a much more legitimate entertainment option.  A Playstation 1 game would sit indiscriminately amongst your CDs.  A PS2 game, on the other hand, would stand nicely on your movie shelf.  This line of thought was somewhat damaged by the tacky green colors of Xbox cases, but you get the point.  Not since the days of the Genesis had games been so easy to keep and collect without resorting to extraordinary means of preservation.

That might change yet again, thanks to a new mandate by Walmart, AKA the industry’s biggest customer.  In an effort to reduce the costs of shipping, the retailer has told the entertainment world to cut down on packaging.  →  Nobody puts article in a corner.

“Screw you America” – Nintendo

Why doesn’t Nintendo release every game they create in every market? The traditional glib answer is some variant of “Nintendo is a business and not a charity.” This may be true, but some companies have found a way to both make money and pay tribute to their medium. For example, HBO is known for keeping shows afloat despite poor ratings. These “prestige shows” are too good to simply cancel and for the sake of television as an art, HBO keeps them on the air.

Nintendo has made billions of dollars selling video games and has some of the most dedicated fans in the industry; it seems like they should not only be a producer of games but also part of the video game vanguard by protecting and honoring interactive entertainment. Unfortunately, Nintendo and Nintendo of America more specifically simply do not agree with this philosophy. They are clearly a corporation looking out for number one and nothing else.

The following is a list of the more recent titles Nintendo of America has deemed unworthy of release in the United States. →  I am become game, destroyer of words.

Numbers Are Fun – Back by Popular Demand

After a long hiatus I have once again been induced to write an update on the financial state of the video game industry. My plan is to divide this write up into two main “chapters.” This first one will cover the “hard” numbers: hardware unit sales and earnings reports. The second will cover the “soft” topic of average player profiles, including online connectivity, hours per day, tie ratio, etc. This section promises to be densely packed with numbers, but it should not require an MBA or a degree in statistics (at least it shouldn’t, since I have neither). Please note, I will cover software sales with the “soft” numbers, since it is not easy (possible?) to get reliable software numbers.

Most people who follow games closely, whether or not they specifically check sales numbers, probably have a rough idea of how each of the three consoles has sold so far this generation, but putting some actual numbers next to these impressions should be helpful. →  All this can be yours, if the read is right.

Houston, Wii Have a Problem

When the Wii was first heralded as the “next big thing” in video games, I was watching from the sidelines (or possibly the frontlines) in Japan. I admit that like everyone else, I got caught up in the hype and wanted…nay…needed a Wii. That was a couple of years ago. Since then, I have decided a didn’t need a Wii and then ended up getting one for practically free off of Craigslist about five months ago. I haven’t played the damned thing in almost three months, confirming my suspicions that the Wii was not a console for me. However, this is not a blurb of why I dislike the Wii; it is an article explaining why I think the Wii was a bad idea for Nintendo.

At first glance, the Wii was a nifty concept. Instead of a controller, you get a wand that you wave like a madman at your television and stuff happens. People seemed to enjoy the idea of having to play games standing up (though I have never understood why) and actually going through the motions of the activities portrayed on the screen. →  SNK Article Classics Vol. 1

Third party publishers as RPG archetypes

Imagine if you will some kind of strange alternate meta-world, where major third party games publishers form a rag-tag party and embark upon a quest to… make an awful lot of money? I suppose they’re going to steal some Dragon’s gold, that can be the story. Although in reality, in our universe, they’re just corporate entities raking in the cash for their shareholders and higher echelon types. But in this otherworld, they’re taking on a Dragon, and I think we can all get behind that.

Valve – The hero

Emerging from obscurity, our hero plots an unlikely meteoric rise to widespread acclaim and influence. It also emerges that he is the only one who can wield the arcane STEAM, a mystical source of great power which makes him all but unstoppable. He is unlike his companions, somehow set apart by destiny; he isn’t really a publisher at all, yet at the same time they flock to his banner. In the end no one can argue with the sheer quality of his work, even if he hardly ever seems to say anything. →  Lords of the Read 2