Sonic

Weekly News We Care About Wrap Up – 6.18.07

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Sony announces 9,648,319 games by March 08
Unfortunately, they counted each individual household a game would end up in as a unique game. If you don’t count your copy of God of War 3 as a different game from my copy, then 145 or more PS3 titles are coming.

Sonic RPG on DS being developed by Bioware
Funny, whimsical RPGs can be cool. Mario’s Super Star Saga and the whole Paper Mario series attest to this. Cute, colorful cartoon characters in RPGs can hold their own, too. Kefka may look silly this day in age, but he is still insanely evil. So what is so horrendous about a Sonic RPG? I’m glad you asked.

Sonic is uninteresting in every possible way. Running fast makes for a subpar to decent action game (or awesome 2D platformer) but is not solid foundation to build a character on. He is blue, has an attitude, a bunch of irritating friends and a fat arch nemesis who might as well be Dr. →  While there is a lower class, I am in it, while there is a criminal element, I am of it, and while there is a soul in prison, I am not gaming.

Fillet Mignon with a side of Pork Rinds: Awesome games and their stupid minigames

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The average gamer supposedly plays 7.8 hours a week. That’s an ESA study so I think they rounded down to make gamers seem less crazy. Other studies show more like 20-30 hours a week, which makes more sense to me. For us hardcore gamers, I’m sure the number would be even higher.

So while we waste our life away playing video games, it has become painfully apparent to me that, like most products in our corner cutting capitalist society, video games have a lot of filler. A video game, especially an RPG or MMO, is graded on how much of your time it takes to beat. In most cases, a game with short playtime is over quickly and generally unsatisfying (much like sex with me). Longer games are considered better. One of the first questions people ask about a new RPG is “how long is it?” It’s an important benchmark.

Game developers often choose to provide filler, as opposed to costly and time consuming quality content. →  I’m gonna take you for a read.

Weekend post 5.26.06

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Random thoughts to occupy you after Memorial Day weekend (none of you are reading this during the weekend, I can assure you).

– I’m finding it harder and harder to dispute that Street Fighter 3: Third Strike is not the greatest fighting game ever made. I’ll still give that to SF2 for now, but no matter how much I suck at Third Strike (and I do), I never load up the game without having fun, and I honestly feel like I play it smarter than most other fighters (prob. because it forces me too). I’m even starting to warm up to its poorer backgrounds. Who else wants to give this one some love?

– Jay has the staff working on a super secret project that, get this, no one is actually working on! Suffice to say it had me pulling out the Dreamcast to play some Sonic Adventure. I think its appropriate that SA was a launch game for the console, because the first level of the game defines the Dreamcast in my mind. →  Densha de Read! Shinkansen

Review – Sonic and the Secret Rings

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Here is perhaps my most controversial review ever. Not because of what I have to say about Sonic and the Secret Rings, but because of the context in which I say it. I was unable to finish Sonic, not because of time constraints (it was a rental), but because I gave up on an increasingly frustrating game and control scheme. I have much to talk about, but the question is whether it means anything at all.

Secret Rings attempts to redo Sonic in 3d by limiting your movement capabilities in order to emulate, ironically, the 2d Sonics of yore. Sonic always moves forward (he can move backwards, but its only meant for backing up a few paces to retry something). All you have to do is jump and steer left and right. The game plays like the levels of Sonic Adventure 1, complete with blistering speed and “on rails” segments where Sonic just runs loops and hoops without your input. It is fast and visceral, emulating the feel of the 2d games in the complexity of 3d space. →  But the future refused to change.

Is Wii screwed?

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Amidst all the recent articles on how the Wii is creating gamers out of grandmas and still out of stock around the nation, there are murmurs of doubt. Few people doubt the control scheme; it works well and is a lot of fun. But it remains unclear if Nintendo will be able to satisfy either their hardcore fans or their new casual gamer audience. Detractors are already labeling the Wii a repeat of the Gamecube; a platform for Nintendo games but little else.

As expected, the Wii will have a solid lineup of first party games:

Animal Crossing
Battalion Wars 2*
Big Brain Academy
Disaster: Day of Crisis*
DK Bongo Blast*
Fire Emblem
Mario Kart (not officially announced)
Mario Party 8
Mario Strikers Charged*
Metroid Prime 3*
Kirby
Pokemon Battle Revolution
Project HAMMER
Super Mario Galaxy
Super Paper Mario
Super Smash Brother Brawl

* Published but not developed by Nintendo

This move looks unfair.

Even without third party games, the Wii could do very well. →  If you die in the article, you die in real life.

Weekly News We Care About Wrap Up – 1.26.07

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Wii games channel coming…some time
Nintendo has confirmed that they will offer new games for download on the Wii, no doubt inspired by Microsoft’s Live Arcade. Since the Wii is already being positioned as the console to develop for if you have a small budget, it should be interesting to see what kind of games are distributed through the games channel (not the official name). Will it be home to crappy Flash games or is this the beginning of the 2D renaissance on home systems? I’m hoping for the latter but won’t be surprised if it’s the former.

Gears of War sells well in Japan
Well enough to break the top 10 list, in fact. Now American developers know breaking into the Japanese market is possible; all they have to do is make one of the best games of the year.

Silicon Knights President blogs about Too Human’s cold E3 reception
Denis Dyack describes how last E3 felt with a story from his college days. →  SaGa 3: Shadow or Write

The results of a gaming experiment

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Before the holiday season, I made a blog post about a little experiment I planned on undertaking over the break. I was going to be very choosy about which games I played, and the rules were something like this:

1. Nothing with too much story or too many cutscenes
2. Nothing with too much unlocking hell
3. Challenging is okay
4. Skill based is preferred

Essentially, I wanted a holiday break where the gaming was filled with old skool sensibility. It was quite a learning experience too, both about gaming in general and my own tastes.

Here are some of the titles I ended up playing, and what I thought about each.

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Twilight Princess: Zelda is the only game I pardoned from the first rule, not because it was the only story heavy game I was playing before the experiment, but because it was the only one I wanted to continue playing. This adventure accompanied me in the very beginning and end of the break, and I’m sad I didn’t get to play it more between. →  We are what we pretend to be, so we must be careful about what we play.

Best Game Ever – Pinball Quest

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Genre blending is a splendid little thing. Diddy Kong Racing, one of Rare’s greatest Nintendo 64 games, is a wonderful mix of racing and adventure. Mario & Luigi Super Star Saga is a clever RPG with platforming elements thrown in. Games that stick adamantly to a certain form run the risk of getting stale, and introducing elements from other genres is a great way to keep things fresh.

I don’t get it.

Video game pinball is no stranger to this phenomenon. I remember the high hopes I had for Odama when I first heard about it sometime a few years ago. A pinball-based tactical wargame? That sort of thing just sells itself. Mario Pinball Land, similarly, had you explore typically Mario-esque worlds with a peculiar ball-shaped Mario. Interesting concepts, and rarely seen, too. But the games themselves didn’t go over so well with critics, sometimes cited for their unreasonable difficulty (Odama, oddly enough, was described as being both too easy and too hard by different reviewers). →  Read, I am your father!

Weekly News We Care About Wrap Up – 1.5.07

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Crappy developer buys crappy developer
Traveler’s Tales, the awesome company behind such classics as Sonic 3D Blast, Crash Twinsanity and Muppet Race Mania has purchased Embryonic Studios, which is responsible for the all time great Looney Toons: Back in Action. Traveler’s Tales aren’t too bad, really, I’m just bitter over their multiple attempts at killing excellent franchises (Super Monkey Ball Adventure came from these guys).

I’d rather see a headline that reads, “Boring studios who make predominantly licensed crap go out of business due to the general public’s lack of interest in Disney for the past decade.” It’s always possible these companies are consolidating due to a shrinking market, much like the Great Abacus Consolidation of 1174.

Rare founders leave their company
The Stamper brothers, reportedly media shy partly due to their ugliness, have left Rare. They founded the company Ultimate Play The Game (pretty catchy name) in 1983, which later evolved into Rare. Microsoft doesn’t seem particularly bothered by their departure, simply saying that the brothers have helped shape Rare into the important company it is today. →  The review for ‘Shark Sandwich’ was merely a two word review which simply read ‘Read Sandwich.’

Merry Christmas NiGHTS

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NiGHTS into Dreams for the Saturn brings to mind the topic of games as art. Not only because the game has artistic value, though. Fans of the title have been calling for a sequel from the second the original was released. Yuji Naka, the leader of the project, contemplated giving fans what they want but then decided NiGHTS should stand alone.

So what does this have to do with art? Gamers’ have the attitude that games are made for them and developers should value the input of their fans. This works nicely as long as we assume games are merely consumer products. But what if we hold that games are art? Doesn’t that make developers artists? It’s one thing to hope your favorite band makes more music you enjoy, but to demand they output exactly what you want to hear and to feel entitled to this is bizarre.

Realistically, most artists have at least some sense of the market place their art exists in. →  Knock knock. Who’s there? This article.