Reviews Wii

Wii-tastic!

Review – Broken Sword: The Shadow of the Templars – The Director’s Cut

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The Knights Templar were an order of Christian soldiers from western Europe who gathered substantial influence and wealth during the Crusades. Many were tortured and/or executed in France in the early 14th century, primarily because King Philip of France owed them money and felt it was more expedient to kill them and disband the order than it was to pay. Of course, he did this under the pretense that they were not in fact true Catholics but rather practitioners of any number of bizarre rituals. As a result of these probably false accusations, their previous military prowess and influence, and the massive fortune they acquired through donations and the early bank-like system they developed, the story of the Knights took on mythic proportions.
Just like in real life.

Unfortunately, they are also an overused trope in movies and pop literature, either as grand puppeteers that actually rule the world from behind the scenes, or as the source of some treasure beyond all of our wildest dreams. →  Take your stinking paws off me, you damned dirty article.

Review – Baroque

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Baroque has been wronged. There is no other way to put it.

I held off on getting this game until fairly recently, when I saw it for sale at $20. I wasn’t willing to buy it at $50 because I had heard all about how terrible the game was; crippling difficulty, a complete lack of story, no carjackings or Nazis, and so on.

A few months ago, RPGamer ranked it as the best Wii RPG of 2008. Granted, I don’t always agree with RPGamer – but then, I like Opoona, so my tastes are already pretty weird. Plus, look at the competition. Tales of Symphonia 2, Opoona, maybe a couple others. None would rank best RPG of the whatever on any other system. But my interest was piqued enough to consider Baroque.

I bought this game about a week ago and booted it up on a whim. I was getting a little bit tired of Valkyria Chronicles, and figured I’d take a short break and then get back to killing Imperials. →  I regret learning to read.

Review – Uncharted Waters: New Horizons

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Ahh, the Virtual Console. A wonderful vault of games long forgotten, chock full of titles from a simpler time. We didn’t have to manage inventory, talk to the right townspeople to progress, perform stupid fetch quests or deal with purposefully vague objectives. Back in those days, men were real men, women were real women, and games were all about jumping from platform to platform. Or so you might believe.

A few Mondays ago, the only Virtual Console release (a thought that saddens me; even three would be too few) was one Uncharted Waters: New Horizons. This led to mass disappointment, as everyone was hoping we’d get some stupid Zelda game (please don’t kill me) that everyone has already played before. On the other hand, I was ecstatic because I got a menu-filled, exploration-heavy Age of Exploration sim with multiple interweaving plot lines and tons of freedom. Better yet, it was relatively obscure and rather expensive until this release, so I can pretend to have gamer cred by having played it before. →  Garou: Mark of the Posts

Review – BIT.TRIP BEAT

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It’s been 37 years now since Pong became the first commercially successful videogame. 37 years isn’t very long in the grand scheme of things, so with gaming still so young it’s not surprising that only recently there has been a popular interest in its history. Although the medium owes its existence to computer technology, games are unlike most computer software in the sense that the latest versions aren’t always the “best.” Every game offers its own unique experience.

Unfortunately most games don’t manage to transcend time completely, and large aspects of them are trapped as artifacts of their era. Essentially no one today could enjoy Pong the way its first audience did in 1972. This is why remakes are not just popular, but essential for most games. And sometimes someone will make a completely new game that borrows the best qualities from games of the past, and integrates them with the best qualities of today. That’s the kind of game BIT.TRIP →  2 h4rdc0r3 4 U.

Review – Orbient

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I love puzzle games. I don’t mean that I love most puzzle games, but that I love the puzzle genre. This actually leads me to hate most puzzle games because of the unreasonably high expectations I set for them. But when I do find one that I like, I really like it. Orbient is one of those games.

The gameplay is simple. You are a planet wandering through a two dimensional universe filled with other planets. Most planets just follow their orbit patterns, but for some unexplained reason you have the ability to control gravity’s effect on you. There’s a button to activate regular gravity, and a button to activate anti-gravity. As you wander you’ll have to use these strategically to control your movement. Unlike most games, there are no buttons for moving an exact direction. The gravity physics are completely dependent on how large and far away your neighbors are. The game would be stupidly easy if you could just walk over to the goal, so this challenging mode of travel is what really makes the game. →  Read or die.

Review – Wario Land: Shake It!

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I have been trying to figure out the “new” Nintendo ever since the Wii launch, and a game like Warioland Shake It! both enlightens and confounds me. It is perhaps the best picture of what Nintendo can do (as opposed to what they may want to do) with their traditions, yet I cannot find a reviewer that sees it the same way as me. While in all likelihood this is a clue that I am going off on a wild tangent, I cannot help but feel that Shake It! is a sign of a community that at times has an ass backwards opinion of Nintendo, or in some cases is having a hard time adjusting.

I am going to put it bluntly – Shake It! is a kid’s game, a description which I do not use pejoratively. As a few critics have rightfully pointed out, Shake It! plays much like Warioland 4 with a few simple motion controls and with smaller, simpler levels. →  Arc the Post: Twilight of the Spirits

Review – LIT

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LIT’s brilliance is not in the game itself (though it is a great game, to be sure), but in its ability to illuminate what makes a game fun and how developers ought to make use of the opportunity to make small games – an opportunity afforded by the Wii Shop Channel, PSN, etc. Set in an undead-filled school, LIT is a puzzle game that spans 30 levels, including 5 bosses, with each level being represented by a classroom. When I say puzzle game, however, I mean puzzle game like Zak and Wiki was a puzzle game, or perhaps even Wario Ware is a puzzle game; LIT is a metapuzzle game, the puzzle is figuring out how to solve each puzzle.

This is the first way in which LIT shines (for those playing the home game we’re up to three light puns now). Gameplay, essentially, can be split into two parts: 1. Figuring out what you need to do, 2. doing. Most games are successful by only challenging you in one of these dimensions, or perhaps at best challenging you with each one at a time. →  Ridge Reader V

Review – World of Goo

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What a strange and intriguing little beast this is. I’m hesitant to call it a game. It most certainly is a game in the sense that it places a series of challenges before you, with rewards meted out along the way, and then a credit sequence plays. But in some ways that are intangible, and other that are, it doesn’t quite feel like a game. Before I go off on some bizarre experiential recollection of my time spent with it, I will give you a more straightforward recounting of what I felt about the game. I believe in times past they were called “reviews”.

There is a lot to like about World of Goo.

I’m going to get the look and feel out of the way first, because it’s pretty much perfect. Stories of the game’s creators subsisting on cat food for years to bring their vision to life are probably apocryphal but probably not entirely inaccurate. This is what passionate and driven young people are willing to do for their art. →  I got served!

Review – No More Heroes

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No More Heroes came out a little more than a year ago, but I’m reviewing it now since the current economy is helping me appreciate older games I already have lying around my room. I remember playing it soon after it came out and thought it was fun at the time. Once I beat single player story mode though I essentially lost interest in ever picking it back up because that was all there is to it.

Not that there’s anything wrong with a game simply having a twenty or so hour long single player mode, but once you beat it you’re through. There’s no way to select levels afterward and replay your favorite parts, so you simply have to make the whole twenty hour investment all over again in order to get the full experience. Fortunately for me it’s a year later and I don’t mind replaying it from the beginning.

But enough about my personal annoyance with the replayability, I’ll step back and give my assessment of the content itself. →  Oops, I did it again.

Review – Tales of Symphonia: Dawn of the New World

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Tales of Symphonia is one of the Gamecube’s greatest RPGs. I only got around to finishing it a couple of months ago at the urging of several friends. I was further encouraged to play through it by the impending release of its sequel, Dawn of the New World. Unfortunately, DotNW does not live up to its predecessor’s legacy and instead spends much of the time in its shadow.

Some of this is inevitable. Tales of Symphonia ends with the merger of two worlds, and much of the sequel deals with what happens afterward. The two lands of Sylvarant and Tethe’alla do not really get along, and bizarre weather events trouble the entire world. A lot of blame is naturally cast at the heroes of the first game. Lloyd, in particular, seems to have gone off the deep end as he instigates a massacre of a town during the game’s beginning.

Much of DotNW is spent traveling the world, usually with one or two of the original ToS heroes. →  NiGHTS into REaDS