There are quite a few game series with planned trilogies in the works, but the modern Prince of Persia games are one of the first successful trilogies to wrap itself up in a few years time. Its successes and failures highlight several important points that these future sagas must address if they wish to avoid some of the pitfalls that keep the PoP trilogy from sheer greatness.
First off, a good trilogy needs to stay consistent. We all know about the hiccups that occurred in Warrior Within, though I found them far less offensive than most. Their true damage can be seen in the final chapter of the series, Two Thrones. Ubisoft felt that the angsty, goth direction of Warrior went too far. One over steer leads to another, and suddenly the angry, darker prince is replaced with his old voice actor and personality, and even new clothes. His companion, the Empress of Time has changed even more.

These two reboots are thrown into an opening cutscene that plays out much the same as the ending to Warrior, with the duo finding the kingdom of Babylon in flames. → Gotta get down on Friday.

