Review – Prince of Persia: The Two Thrones

There are quite a few game series with planned trilogies in the works, but the modern Prince of Persia games are one of the first successful trilogies to wrap itself up in a few years time. Its successes and failures highlight several important points that these future sagas must address if they wish to avoid some of the pitfalls that keep the PoP trilogy from sheer greatness.

First off, a good trilogy needs to stay consistent. We all know about the hiccups that occurred in Warrior Within, though I found them far less offensive than most. Their true damage can be seen in the final chapter of the series, Two Thrones. Ubisoft felt that the angsty, goth direction of Warrior went too far. One over steer leads to another, and suddenly the angry, darker prince is replaced with his old voice actor and personality, and even new clothes. His companion, the Empress of Time has changed even more.

These two reboots are thrown into an opening cutscene that plays out much the same as the ending to Warrior, with the duo finding the kingdom of Babylon in flames. →  Gotta get down on Friday.

Review – Haze

If you still view Free Radical Design as “the guys who once did Perfect Dark and Goldeneye”, then their game catalogue might seem fairly weak. Second Sight was a successful experiment, and with the Timesplitters games they carved themselves a nice niche in the shooter market with their blend of Goldeneye inspired design and offbeat humor. To be frank, this is a very good situation to be in.

For those that would assume that Free Radical’s output is a failure should it fail to match Rare’s classic shooters, I would remind them that having David Doak and some friends start up their own studio does not automatically mean that the entire Goldeneye team was ready to rock. Goldeneye and PD were lightning in a bottle, something that can’t be easily replicated. Compared to most upstart devs, Free Radical’s output has been more than acceptable.

With the arrival of Haze, however, I begin to question this judgment. For lack of a better term, Second Sight and the Timesplitters games feel comfortable in their own shoes, while Haze is yet another heaping on the FPS pile, which by now is a mound of shit and compost made from scraps of Halo, Half Life and Gears of War. →  The King of Articles 2002: Unlimited Match

Review – Rock Band 2

Rock Band 2 came out this past weekend, with an odd Sunday launch to be precise. You’d have been hard pressed to learn this from Harmonix’s site, which was oddly devoid of fanfare about the release. Fortunately, the local Gamestop was plastered with signs indicating that Rock Band 2 was in fact available, and they didn’t even give me much shit when I told them I hadn’t reserved a copy. A moderate line of 7 people made me feel like less of a loser, particularly when most of the people in the line were young, hip, and attractive. Truly times are changing when the person behind me was a cute girl in her twenties (with her boyfriend) demanding Rock Band 2.

What you weren’t able to get was the full bundle: new guitar, new drums, new mic and game. That won’t be available until October. News to me. Apparently the new guitar was pushed back as well, leaving me to just get the game and the new drum kit. →  Read Band 2

Review – Spore

I am not sure how to introduce this review so I am going to start gently. If I were the kind of guy that was into fellating people to get what I want, there would be a short list of people that I would be willing to drop to my knees for. Right off the top of my head, I can only actually think of two men, the first being Trent Reznor if he promised to give me another album equal to or greater than The Downward Spiral; the second guy is Will Wright.

I can’t think of what I would ask Will Wright for in exchange for orally pleasing him but if he were into bartering, I am sure I could come up with something. I have always liked Will Wright because, thankfully for my succulent lips, he gives me what I want without forcing me to choose to spit or swallow. I loved all of the real SimCity games before they got all politically correct and became SimCity Societies. →  Europa Universalis IV: Articles of War

Review – Silent Hill Origins

Over the years Silent Hill has gone from being a cult classic that all the cool kids preferred, to a media darling that the cool kids still preferred, to a struggling franchise that no one seems happy with. This is because no one can agree on what Silent Hill is all about. The basic idea has been that it offers a deeper, “psychological” style of horror that the proles playing Resident Evil may not understand.

As the series has gotten older, the people making it seem to believe the games are defined by increasing amounts of gooey penis and vagina monsters. Diehard fans often pin the spirit of the series to the original Team Silent. If you ask me, the meaning of Silent Hill is apparent. The problem is that no one really wants to use it. To be clear, Silent Hill is about a creepy little town that manifests its horrors based on the minds of troubled protagonsists. It is an interesting idea that is limited by the insistence of certain choices. →  Max Post 2: The Fall of Max Post

Review – Final Fantasy IV

Let’s be honest kids, it’s not a real Final Fantasy game until I review it here on your favoritest ever videogame site videolamer (tell your friends). Of course, as it turns out, Final Fantasy IV actually already was a real videogame, like, a billion years ago back on the SNES when we Americans called it Final Fantasy II because we didn’t know any better.

Now, full disclosure, back on the SNES, Final Fantasy IV/II was the first RPG I ever beat; I was in Kindergarten, my older brother beat it first, and to this day I lord over him the fact that I found the crystal sword (best sword in the game, now retranslated as Ragnarok) before he did.

I also beat it on its PS1 rerelease, and again as the GBA game, Final Fantasy IV Advance. So yeah, I like FF IV, kind of a lot. Given that I imagine a large portion of the audience has played the game in one of its iterations, this review is going to focus primarily on the changes this game makes to the original. →  Oreshika: Tainted Postlines

Review – Soul Calibur IV

Ever since Soul Calibur 2, it has been clear that Namco decided that their once experimental, more serious fighting game series could be another cash cow, if only they made a few tweaks. Thus we have been getting sequels that continuously emphasize style over substance, chock full of nerd bait for people on both shores.

True, the classic combat engine has always been there, but without any real dedication to the arcade scene it has become increasingly useless to the veteran fighting game fan. By the time Soul Calibur 4 was coming ’round the bend, the series was facing bugs, confused single player modes, and balance issues. When the early screenshots indicated an increasing focus on titillation, I was ready to write off the series.

But old habits die hard, and the allure of online play was strong. So here I am with yet another Soul Calibur, and I can safely say this is best one since SC1 (though that is a bit like saying Revenge of the Sith was the best of the Star Wars prequels). →  You think about everything.

Review – Braid

We can spend a lot of time talking about Braid, trying to interpret it and stamp out a definitive idea on what it is and what it says. There isn’t much of a point in it though. Braid, for all its flaws, is literature, something that has meaning. Anything I say about its message or its power may be quite different from what you would see on a playthrough. What we can do is look at it as a game.

Braid is a puzzle platformer. Some have called it “just a puzzle game with platforming elements.” We saw it with Portal, where people called it a puzzle game and forgot is was also in the first person. I’m not sure why that happened; Portal’s puzzles often thrive on how the player moves and positions himself, so the perspective (and the controls inherited from it) cannot be ignored.

The same is the case with Braid. Like any platformer it has laws of physics that govern the protagonist’s movement. →  Sounds mildly entertaining, I guess.

Review – Final Fantasy Tactics Advance 2

On Gameplay: the battle system, the law system, and quests

Golden Jew
Before you pick up a copy of Tactics A2, there’s a simple question you need to ask yourself. “Do I love SRPG battles?” It’s really quite simple because this game is basically a lot of tactics battles. For the most part, random encounters have been eliminated and are instead replaced with 300 quests for you to complete.

Augmenting pixilated slaughter, there are run and fetch quests, and a few “dispatch the right person” quests, where the fun lies in trying to figure out what the proper class/race is. For example, an intuitive one asks for a sexy barmaid – so of course you send a viera. But others are slightly more obscure and can be irritating (and therefore FAQ-worthy).

The law system, as I already ranted about, is really a detriment to gameplay. Over the long haul, the number of retarded instances of the law system decreases, or you care less about the loss of a few loot items (largely overrated after the first five hours) and bonus AP points. →  Postgaea 2: Cursed Memories