Articles

The Worlds of Power book series

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Strange as it may seem, video games and reading have always been closely related in my mind. When I was four years old, I would watch my older brother play RPGs and other text-heavy games. After a year or so of observation, I could more or less understand what was going on. Eventually, I figured out that letters written on paper were the same as those shown in Dragon Warrior and Final Fantasy, and thus I “learned” to read all at once (naturally, my kindergarten teacher took the credit).

Astonishingly, terrible game cover art is also terrible book cover art.

Back in the NES era, there were a lot of random game-related paraphernalia. Nintendo had merchandising on its side, and Super Mario towels, sheets, lunchboxes, etc. →  Read more, before it’s too late!

Weekly News We Care About Wrap Up – 4.8.07

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Resident Evil games coming to Wii
Capcom loves to remake and rerelease Resident Evils. Resident Evil 1 was released first on the PS1, then the Saturn, and PC, then the director’s cut came out on the PS1. This was followed by the remake for Gamecube and the slightly modified Deadly Silence version for the DS. Somewhere in there a mobile phone game was released, but at least Capcom had the sense to scrap a GBC version. Some PS1 games don’t look good on an NES — who knew?

Good news for people who have only played this game eight times — the Umbrella Chronicles game coming to the Wii looks very much like a recreation of the first game (with some of the second thrown in to placate whiners like me). →  Postsona 3 FES

Best Game Ever / Review – Dragon’s Trap / Curse

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It’s somewhat bizarre that my normally useless extensive knowledge of the Sega Master System would come in handy because a Turbo Grafix 16 game is released on the Wii. But despite the comical circuitousness, I happen to know a thing or two about Dragon’s Curse. You see, as far as Master System games go, this game is anything but obscure. It’s actually so beloved that a great Master System emulator is named after the game.

In an attempt to completely confuse America as revenge for dropping atomic bombs on them, Japan has seen it fit to rename the game called Dragon’s Trap (Master System) for release on the TG16, where it would be called Dragon’s Curse. That wouldn’t be very good retaliation, though, considering the cancer rates are still abnormally high in Nagasaki and Hiroshima. →  In the beginning games created the heavens and the earth.

Weekly News We Care About Wrap Up – 3.30.07

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PS3 sells well in Europe
Is this a sign that Sony is turning a corner? I recently noticed that the PS3 has a lot more well-reviewed titles and fewer games the critics hate than the Wii. Surely that’s a sign things will start picking up for Sony.

But then there’s the recent news that Devil May Cry 4 is going to be on both the PS3 and 360. A lot of smart people have said stupid things about this generation not being about console exclusives. Considering the Wii will have Nintendo first party titles and the 360 already has a number of good exclusives, I wonder if the sentiment that exclusives are dead is really just a nice way of saying, “Exclusives still matter but it’s depressing to think about how many Sony is losing.” →  Ikari Warriors 2: Postery Read

What makes a game mature?

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In the March issue of PSM is a reader-written letter complaining that nearly all PS3 games are violent (meaning they had gun violence or graphic gore). He asked where the Psychonauts, Wario Wares and other games he could enjoy with his kids were. The editor’s reply was, “The truth is that the PS3 isn’t intended for kids this early in its life cycle. For now, it’s an expensive, hardcore machine targeted almost exclusively at the older gaming audience.” The game industry as a whole has a strange notion of what mature is and is not.

Kids understand violence just fine.

At the core of this issue lies a conflict on the definition of mature. In my world, mature doesn’t mean blood and nipples. →  Michigan: Article from Hell

Is E3 Dead?

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The gaming community received a harsh slap in the face last year when ESA, the organization that is behind the megaton-laden E3, decided to completely change the way the yearly venue is run. They drastically reduced the number of reporters that were allowed to attend to around 20,000 (from last year’s 60,000), and turned it into a more intimate affair for the actual publishers/developers to showcase their games without having to scream over loud, thumping techno music.

In unison, developers around the world bowed down and gave thanks to the merciful Gamer Gods. Now they wouldn’t have to break their asses to create a (hopefully) bug-free demo that would probably get swept up in all the hustle and bustle anyway. The gamers themselves, on the other hand, found it hard to believe that the mecca of all things gaming was being changed into something that they would never have the opportunity to experience. →  Read Band 2

What is Nintendo waiting for?

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Nintendo has a chance to regain some market share this generation. The Wii is still hard to find five months after launch and there are reports that Nintendo’s stated mission of expanding the market is succeeding. But for every smart move they make, a dumb one — like keeping the friend code system intact — is soon to follow. I have compiled a short list of things Nintendo really should do sooner rather than later.

The most grievous sin Nintendo has committed is their neglect of online play. What were they doing while Xbox Live took off? It’s as if they only started thinking about the structure of Wii online after the system launched, instead of seven years ago when SegaNet showed us how cool online gaming could be. →  The Lord of the Rings: The Fellowship of the Read

Why I play the games I play

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Pat’s article here about this particular subject interested me, and was obviously the inspiration for this article. Props to him for coming up with the idea of a “why” article of this type.

Since I haven’t had much better to do with my thinking time lately, I’ve been thinking about why I play games. I love strategy games, RPGs, and some adventure/platforming games, but there are some things that will make me enjoy any genre.

The first and most obvious idea, as in Pat’s case, is that I could never do activities I do in a game, whether it be fighting ninja who kidnapped the president or managing a farm. This may be true (and it almost certainly is to some degree in most games), but this aspect is entirely dependent on whether I can empathize with the character. →  Speak softly and carry a big post.

A sense of accomplishment in video games

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What is it that makes a game particularly memorable?

When you finish a game, you want to feel as if you’ve accomplished something. By the time you beat some games, you want to really feel you’ve made the game world a better place through your actions (or, perhaps, you have intentionally left a horrifying wake of devastation). You’ve solved all major problems, and probably a lot of minor ones as well. Maybe you’ve beaten a particularly tough platformer or shooter and you feel like you’ve done a superhuman feat or twelve. The important part is you feel like you’ve done something significant or participated in a memorable story. The main pieces used to bring about this feeling are plot and challenge. →  We have the best words.

Two Gamecubes duct taped together

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Chris Hecker angered a lot of people by calling the Wii a piece of shit at this years Game Developer’s Conference. The thrust of his “argument” seems to be that games are art and Nintendo is focusing solely on making entertainment, not art, and therefore Nintendo is bad. It’s worth noting that on his website Chris says he is the Editor at large of Game Developer magazine, yet their website and the february issue I hold in my hands neglect to mention he holds any position there. But back to the issue at hand – some of the videolamer staff have been kind enough to tell us their thoughts on the situation.

Pat says:
This speech took place during a “rant” session, which seems to encourage hyperbolic, polarizing comments. →  Words are the towns and cities of letters.