Reviews

Review – Fable II

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For a change of pace over the holidays I went through Fable II, a light-hearted fantasy role-playing game developed by Lionhead Studios and its industry leading founder, Peter Molyneaux. Between the first and second Fable, Lionhead was purchased by Microsoft, meaning that Peter was now in the market of making Xbox 360 exclusives. I was especially curious to see if Peter and his team were going to take special advantage of the console like Epic Games has done with Gears of War. Sadly this wasn’t the case.

Before I get into that, let’s give the good stuff its due. In Fable II you play a hero born from a powerful bloodline, one that allows you to wield magic. A hero hunting villain is hot to kill you in hopes of ending the line and preventing your kind from stopping his plans for world domination. →  We are what we pretend to be, so we must be careful about what we play.

Review – Flower

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If you haven’t noticed…and you probably haven’t, I have not written much lately. Truth be told, there hasn’t been a lot in gaming that has inspired me in the past couple of weeks. That is, until tonight. Flower has been on the Playstation Store now for roughly six or seven hours and in that time, I can safely say this game has answered the video games as art argument with a resounding, YES!

This review is not going to be very long because the game is not very long and it is hard to do justice to it without letting you just play it and experience it for yourself. The premise is simple, tilt the controller and press any button to make the wind blow. That is it. Of course there is more to it, but really how much can I say about a series of flower petals blowing in the wind? →  Welcome to read zone!

Review – Prince of Persia

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The games and film industries are currently obsessed with the concept of reboots. While this is not a new concept, traditionally reboots are greenlit for franchises that are fairly old, and only when the IP holder feels that it will remain commercially viable after a modern facelift. Certain entities in the gaming world have bucked this trend, prescribing reboots for series that are still currently popular, and have likely had at least one new entry in the last five or so years. From a theoretical standpoint, this makes sense. If you are choosing something to to reboot from a list of modern franchises, it is much easier to determine their viability when your audience still remembers them. It also allows a publisher to continue churning out sequels at a steady clip without the new entries feeling immediately stale. →  Arc the Post: Twilight of the Spirits

Review – Persona 4

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After blue comes yellow. So it would seem with the release of Persona 4, which has the same engine and battle system as its predecessor. Despite all this, it comes off as a much better game – Atlus clearly took the time to figure out what went wrong in Persona 3 and fix it. At the same time, they came up with a plot I found easier to connect with, composed better music, and even came up with better swag to lure people into buying the game. It’s no surprise, then, that Persona 4 is my new favorite RPG on the PS2.

Several improvements make up the core of the reason I enjoyed playing Persona 4 so much. You can pretty much copy the gripes from my Persona 3 and FES reviews and every single one of them has been mitigated if not completely resolved. →  Postgaea 2: Cursed Memories

Review – Waxworks

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If you haven’t heard of Waxworks before then allow me to describe it. It’s not a new game, having been released in 1992, but it was just recently re-released by GOG.com and this makes it new for many people, including me. Waxworks is part point and click adventure, part puzzle solver, part hack and slash, and a lot of fucked up shit. In case you weren’t tipped off by the fact that the developer’s name is Horrorsoft, Waxworks isn’t exactly about sunshine and rainbows.

The first thing any modern player will notice about Waxworks is the fact that it’s old, and in some ways hasn’t aged well. But considering it’s sold by a site called “Good Old Games” I assume that this should be a given. I had never played it before and was able to enjoy it, so despite the decrepit technology it must have an appeal in something besides nostalgia. →  Lame is what happens when you’re busy making other plans.

Review – Chrono Trigger

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Chrono Trigger is an embarrassment for the gaming industry. Straight up embarrassment. It’s embarrassing that a game that is over ten years old can be so well made as to put many current games to shame. It’s like the Roman Empire, without all of the strange pedophiliac tendencies but all of the impressive works of art.

Chrono Trigger is the latest in a series of Square-Enix remakes designed to milk old titles for every last dollar and yen. Like Dragon Quest, Chrono Trigger is a game that I somehow missed (though I did play the under appreciated Chrono Cross at some point).

Chrono Trigger is, simply put, a pleasure to play. The casual gaming experience (by which I mean, the fights, going from A to B, etc) completely trumps a game like Dragon Quest. →  Max Post 2: The Fall of Max Post

Review – Street Fighter II HD

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The number of permutations of Street Fighter 2 is one of gaming’s oldest punchlines. Though the joke still has teeth due to plain old nostalgia, savvy gamers now realize that the arcade revisions of Street Fighter added important tweaks and upgrades (and the console versions were various attempts at porting them to limited hardware). This slow burn through the 90’s finally culminated with Super SF2 Turbo, the last major revision and a game still played today in the tournament scene thanks to its familiarity and balance. The fact that fighting game fans won’t let go of Street Fighter 2 is a testament to its quality, and is the justification for why Capcom chose to make yet another major revision after years of silence. SF2 HD Remix (the full name is much too long) is a landmark release in the series, made exactly the way it should be at this point in the series’ life. →  Professor Layton and the Diabolical Post

Review – Dragon Quest IV

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For many, the Dragon Warrior/Quest franchise has a great deal of meaning, nostalgia and history. I remember playing Dragon Warrior on the NES when I was a young whippersnapper. I also remember that when faced with a choice at the end of joining the last boss or killing him, I decided to join him. The screen acquired an orange glow and my Nintendo froze. Was that what was supposed to happen? After my orange experience, I never touched a Dragon Warrior game again.

Dragon Quest IV, a Square Enix port of the original to the DS, presented an opportunity to reacquaint myself with the franchise. Having just run through the remake of Final Fantasy IV, I had high hopes that Square Enix would have scrubbed through the original and done away with any lingering issues to create a superior RPG experience, as they had in FFIV. →  Holy crap, show me more!

Review – Resistance 2

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Resistance 2 from Insomniac Games is the highly anticipated sequel to the fairly enjoyable Resistance: Fall of Man. Insomniac is one of Sony’s prize jewels, an exclusive PS3 developer who makes big hits on a tight time schedule. This time around however, (for the very first time in fact) I wasn’t pleased with their output. This game has its moments and is sure to be enjoyed by many, but I’ve played too many shooters to accept a second-rate product from a first-rate company, especially in the saturated season we fortunately find ourselves in.

Resistance 2 continues the story of Nathan Hale and an alien invasion that takes place on an alternate earth in our World War II era. The all-powerful Chimera have filled America’s skies with massive warships and are exterminating the nation in a maelstrom of nuclear fire. →  An article approaches.
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Review – Gears of War 2

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When the first Gears of War was released, I wrote a little rant about Cliff Blezinski’s introduction to the game found in the instruction book. For a game about large meatheads shooting albino insect meatheads, the intro sounded far too pretentious and lofty. Commenters took me to task, and they convinced me that I was overreacting.

Thankfully, Gears 2 doesn’t put me in the same situation. This time, Cliff’s intro makes no bones about the fact that this game wants to emulate the feeling of “being in a summer blockbuster film” better than any other game out there. Shallow as it may be, knowing a developer’s intent can have a large impact on how I view a game. An over the top setpiece becomes more palatable when I know the creators aren’t presenting it as a work of gaming art. →  Just read it.