Reviews Xbox 360

Fully circular reviews for the newest Xbox.

Review – Fable II

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For a change of pace over the holidays I went through Fable II, a light-hearted fantasy role-playing game developed by Lionhead Studios and its industry leading founder, Peter Molyneaux. Between the first and second Fable, Lionhead was purchased by Microsoft, meaning that Peter was now in the market of making Xbox 360 exclusives. I was especially curious to see if Peter and his team were going to take special advantage of the console like Epic Games has done with Gears of War. Sadly this wasn’t the case.

Before I get into that, let’s give the good stuff its due. In Fable II you play a hero born from a powerful bloodline, one that allows you to wield magic. A hero hunting villain is hot to kill you in hopes of ending the line and preventing your kind from stopping his plans for world domination. →  Read the rest

Review – Prince of Persia

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The games and film industries are currently obsessed with the concept of reboots. While this is not a new concept, traditionally reboots are greenlit for franchises that are fairly old, and only when the IP holder feels that it will remain commercially viable after a modern facelift. Certain entities in the gaming world have bucked this trend, prescribing reboots for series that are still currently popular, and have likely had at least one new entry in the last five or so years. From a theoretical standpoint, this makes sense. If you are choosing something to to reboot from a list of modern franchises, it is much easier to determine their viability when your audience still remembers them. It also allows a publisher to continue churning out sequels at a steady clip without the new entries feeling immediately stale. →  Read the rest

Review – Street Fighter II HD

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The number of permutations of Street Fighter 2 is one of gaming’s oldest punchlines. Though the joke still has teeth due to plain old nostalgia, savvy gamers now realize that the arcade revisions of Street Fighter added important tweaks and upgrades (and the console versions were various attempts at porting them to limited hardware). This slow burn through the 90’s finally culminated with Super SF2 Turbo, the last major revision and a game still played today in the tournament scene thanks to its familiarity and balance. The fact that fighting game fans won’t let go of Street Fighter 2 is a testament to its quality, and is the justification for why Capcom chose to make yet another major revision after years of silence. SF2 HD Remix (the full name is much too long) is a landmark release in the series, made exactly the way it should be at this point in the series’ life. →  Read the rest

Review – Gears of War 2

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When the first Gears of War was released, I wrote a little rant about Cliff Blezinski’s introduction to the game found in the instruction book. For a game about large meatheads shooting albino insect meatheads, the intro sounded far too pretentious and lofty. Commenters took me to task, and they convinced me that I was overreacting.

Thankfully, Gears 2 doesn’t put me in the same situation. This time, Cliff’s intro makes no bones about the fact that this game wants to emulate the feeling of “being in a summer blockbuster film” better than any other game out there. Shallow as it may be, knowing a developer’s intent can have a large impact on how I view a game. An over the top setpiece becomes more palatable when I know the creators aren’t presenting it as a work of gaming art. →  Read the rest

Review – Dead Space

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In April of 2007 a man by the name of John Riccitiello began work as the new Chief Operating Officer of Electronic Arts, one of the two largest video game conglomerates on earth. EA had fallen victim to its own massiveness in the years prior. In order to grow it had purchased and then cannibalized smaller, more imaginative game developers, absorbed the talent into their own offices, and centrally ran all operations.

As a result, the people and projects they assimilated became infected with the shortcomings of the company entire: there was too much bureaucracy and too many levels of hierarchy. This took decision making and creativity away from the game development teams. As a result EA earned a rather poor reputation for making nothing but thin sequels, movie tie-ins, and sports games that did little to differentiate themselves from year to year. →  Read the rest

Review – Call of Duty: World at War

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As expected, Activision has pimped the hell out of 2008’s yearly Call of Duty release, World at War. The savvier gamers out there have not been fooled, and have spent their energies trashing it before it even got a chance to prove itself. They know that WaW was developed not by series creator Infinity Ward, but by Treyarch, whose two game Call of Duty pedigree has been viewed as less than stellar.

I assert that this judgment was unfair. Big Red One was developed for last gen platforms, and managed to be very clever given its hardware limitations. As for CoD3, the snarky blog commenters betrayed their true lack of intelligence. It should have been obvious to anyone that the game was a stopgap, a way for Activision to “exploit” a favorite moneymaker with a yearly release. →  Read the rest

Review – Left 4 Dead

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In an industry where cooperative gameplay is tacked onto nearly every game just for the hell of it, it’s refreshing to see a game where it is the primary focus. All too often, coop is given the short end of the stick – added merely to grab a few more sales from suckers like me. In Left 4 Dead, Valve has created a cooperative FPS with their traditional polish and balance. The versus mode, whether originally intended to be “tacked on” or not, is surprisingly fun, making it a good game for small versus games as well.

Left 4 Dead is what I’d call a running-survival game. In a location filled with zombies, a team of four survivors must make their way from point A to point B. In between the points, there are a few safe houses, which break up the action. →  Read the rest

Review – Fallout 3

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Writer’s note: At the time of this writing, Fallout 3 is a bit buggy on all platforms, and extra buggy on the PS3. I do not wish to neglect these issues, but for the time being they are not featured in the review. If the first patch for the game does not fix many of these issues, I will bring them up in a future piece, but I wish to avoid talking about bugs at the moment as it takes away some of the timelessness of a review. Fallout 2 was broken in many ways upon release, and no one talks about that these days.

We here at videolamer strive to provide timely reviews for major releases. The bad news is that juggling real life responsibilities and funding our own gaming budgets makes this a challenge. →  Read the rest

Review – The Force Unleashed

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Star Wars: The Force Unleashed is now the fastest selling Star Wars game of all time. Being the biggest closet Star Wars fan on this site, this was reason enough for me to check it out. The current general sentiment about the game is that it is a rental at best, and perhaps not even worth that due to a variety of issues.

Some of these gripes are valid, but others appear to be the usual negatives that spread thanks to speedy reviewers (and the comment section trolls that parrot what they hear from them). Force Unleashed is buggy and filled with many of modern gaming’s worst tropes, but it also has decent action bolstered by the sheer fun of using The Force, and it tells a story that tries hard to be worthy. →  Read the rest

Review – Rock Band 2

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Rock Band 2 came out this past weekend, with an odd Sunday launch to be precise. You’d have been hard pressed to learn this from Harmonix’s site, which was oddly devoid of fanfare about the release. Fortunately, the local Gamestop was plastered with signs indicating that Rock Band 2 was in fact available, and they didn’t even give me much shit when I told them I hadn’t reserved a copy. A moderate line of 7 people made me feel like less of a loser, particularly when most of the people in the line were young, hip, and attractive. Truly times are changing when the person behind me was a cute girl in her twenties (with her boyfriend) demanding Rock Band 2.

What you weren’t able to get was the full bundle: new guitar, new drums, new mic and game. →  Read the rest

Review – Soul Calibur IV

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Ever since Soul Calibur 2, it has been clear that Namco decided that their once experimental, more serious fighting game series could be another cash cow, if only they made a few tweaks. Thus we have been getting sequels that continuously emphasize style over substance, chock full of nerd bait for people on both shores.

True, the classic combat engine has always been there, but without any real dedication to the arcade scene it has become increasingly useless to the veteran fighting game fan. By the time Soul Calibur 4 was coming ’round the bend, the series was facing bugs, confused single player modes, and balance issues. When the early screenshots indicated an increasing focus on titillation, I was ready to write off the series.

But old habits die hard, and the allure of online play was strong. →  Read the rest

Review – Braid

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We can spend a lot of time talking about Braid, trying to interpret it and stamp out a definitive idea on what it is and what it says. There isn’t much of a point in it though. Braid, for all its flaws, is literature, something that has meaning. Anything I say about its message or its power may be quite different from what you would see on a playthrough. What we can do is look at it as a game.

Braid is a puzzle platformer. Some have called it “just a puzzle game with platforming elements.” We saw it with Portal, where people called it a puzzle game and forgot is was also in the first person. I’m not sure why that happened; Portal’s puzzles often thrive on how the player moves and positions himself, so the perspective (and the controls inherited from it) cannot be ignored. →  Read the rest

Review – Alone in the Dark

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Apparently, it is becoming the rule rather than the exception for games to be rushed to release, rather than given the time to properly simmer. There are a slew of factors causing this, such as soaring costs, tricky console hardware, and the fickle, tiny window of attention that the hype machine grants.

Of course, a rushed game can come in different flavors. In my last review, we saw how Army of Two lost most of its grand cooperative aspirations, but still managed to ship as a stable and competent action game. From a business perspective, this is acceptable as gamers will buy something derivative if it is polished well enough.

Another result is something like Alone in the Dark, where the grandiose ideas remain, but are held together by duct tape and the hope that bugs and glitches are not severe enough to cause the game to crash out from under the player’s feet. →  Read the rest

Review – Army of Two

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Army of Two is an attempt at many things, one of which is to capitalize on the recent enthusiasm for cooperative games. Co-op is arguably the number one most important bullet point a game can have in its press release. Even if it is hardly suitable for the game at hand, excluding it will cause many people not to buy your product.

In order to distinguish itself from the deluge of co-op titles, Army of Two attempts to integrate cooperative measures into every aspect of the game. It also tries to deliver some social commentary like so many hotshot developers and players crave in their desire to legitimize their hobby. Ultimately, the game shares the same major fault of so many of its competitors: it was rushed. The interesting ideas and promise shown in early previews are all missing, and the end product is the usual kind of worthless. →  Read the rest

Review – Turok

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The first Turok: Dinosaur Hunter came out eleven years ago and grew into a franchise of four games. While the original was well received the sequels received increasingly more critical reviews and the series eventually died. Disney bought the rights, created Vancouver-based Propaganda Games to develop a new title, and basically wound up repeating the lackluster performance of the last go around.

Overall Turok is mired in sub-par design in almost every aspect of the game. It uses the ubiquitous Unreal Technology to run the game and the developers weren’t able to make it shine as nicely as other third party developers. The environments are dull, rather fake looking, and use a slim palette of colours. The character models and dinosaurs look pretty good but they are nothing new and therefore fail to impress. →  Read the rest

Review – Guitar Hero: Aerosmith

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Say what you will of Activision and Neversoft’s handling of Guitar Hero, but the idea of themed games revolving around a particular band is a good one. Celebrating the history and catalog (as well as the conflicts) of a world famous band is a great honor. It allows young players to learn some rock history, and for their moms and dads to relive their younger years.

Say what you will about Aerosmith, but the band fits the above description, and have been a huge influence on the rock world for better or worse. Finally, I get to say that while I like Neversoft more than a lot of gamers, there are a few kinks they need to address if they wish to continue making these themed games. GH Aerosmith is better than I expected, featuring more care and new content than I anticipated. →  Read the rest

Review – Dark Sector

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Ontario’s own Digital Extremes began development of the long delayed and often re-imagined Dark Sector in 2004, and it was released earlier this year by D3 Publisher for the X-Box 360 and the PS3. I remember the early period because the teaser trailer was one of the first to come out for this generation’s hardware. Dark Sector started out in space but by 2006 it was made over into a bleak secret agent story.

Four years is way, way too long a development cycle for a video game. A game takes that long only when there are serious problems afoot, and it’s been my experience that when the game is finally released those problems are still there. Sadly, Dark Sector is no exception.

I am still very keen on the premise of Dark Sector. →  Read the rest

Review – Ninja Gaiden II

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Ninja Gaiden 2 is not an earth-shattering masterpiece. As much as the fan in me wants to spout absurd levels of hyperbole that put recent GTA4 and MGS4 reviews to shame, and devote five paragraphs to how this game’s Oscar-worthy story made me regret having even existed before its release date, I feel it’s more relevant to discuss why games like this are so important in the current landscape of the video game industry.

The game represents what I consider to be the “Nintendo Legacy.” Back in the Sega & Nintendo days, games were short. A combination of small development groups, limited resources, and hardware abilities of the time meant that games of the era were around 2-5 hours long. So how do you give a player lasting value to justify the price tag for such a short experience? →  Read the rest