Review of Samus Returns for the 3DS

Samus Returns is a game that wants to be something, but can’t. After all, it is a remake of an existing game, Metroid 2: Return of Samus. On top of that, not only is the original game a beloved classic, but it’s also very old, and runs on a piece of hardware that was outdated even when it was brand new.

All of these factors work to dictate what a game like Samus Returns can and cannot do. By the rules of Modern Videogame Design, the following elements of 1991’s Return of Samus are unacceptable:

  • Its stark, mostly-black backgrounds.
  • It’s creepy chiptune music, despite the fact that it helps to create a certain mood that is absolutely perfect for the game’s setting.
  • The fact that the planet is mysteriously drained of deadly acid as you kill Metroids.
  • The relative lack of upgrades compared to other, more advanced Metroid games.
  • The general lack of story elements.

All of these things get “fixed” by Samus Returns, and the result is an experience that feels all too predictable:

  • The backgrounds are now filled with stuff: ancient ruins, (still working) mining equipment, robotic defense systems.
 →  Imagine all the gamers playing for today

Review – Flower

If you haven’t noticed…and you probably haven’t, I have not written much lately. Truth be told, there hasn’t been a lot in gaming that has inspired me in the past couple of weeks. That is, until tonight. Flower has been on the Playstation Store now for roughly six or seven hours and in that time, I can safely say this game has answered the video games as art argument with a resounding, YES!

This review is not going to be very long because the game is not very long and it is hard to do justice to it without letting you just play it and experience it for yourself. The premise is simple, tilt the controller and press any button to make the wind blow. That is it. Of course there is more to it, but really how much can I say about a series of flower petals blowing in the wind? At first glance, the game looks like some kind of tech demo you would see at a video game convention but there is so much more to this game it is crazy. →  One must imagine video games happy.

Review – Alone in the Dark

Apparently, it is becoming the rule rather than the exception for games to be rushed to release, rather than given the time to properly simmer. There are a slew of factors causing this, such as soaring costs, tricky console hardware, and the fickle, tiny window of attention that the hype machine grants.

Of course, a rushed game can come in different flavors. In my last review, we saw how Army of Two lost most of its grand cooperative aspirations, but still managed to ship as a stable and competent action game. From a business perspective, this is acceptable as gamers will buy something derivative if it is polished well enough.

Another result is something like Alone in the Dark, where the grandiose ideas remain, but are held together by duct tape and the hope that bugs and glitches are not severe enough to cause the game to crash out from under the player’s feet. We here at videolamer appreciate new ideas enough that we try to give these games a fair chance, but Alone in the Dark reminds me of just how hard it is to assess a game that treads on the slippery slope between genius and basic playability. →  Please sir, can I have some more?

Review – Kya: Dark Lineage

Kya: Dark Lineage
Developed by Eden Studios
Published by Atari
Released 11.18.03

Fear my banana horn.

Kya: Dark Lineage is usually compared to Beyond Good and Evil, most likely because they are both action platformers with female leads. The similarities just about end there, since BGE is damn close to the epitome of the genre, while Kya is more a stock, run of the mill, average game. Of course I played to the end so there had to have been something there that made me play it.

The game starts off with you and your brother getting sucked into an alternate dimension via your father’s basement laboratory. You arrive among a few anthropomorphized dog like creatures who are all running away from some anthropomorphized wolf like creatures. This opening sequence introduces most aspects of the game, as it includes fighting, running, jumping, problem solving, and sneaking. Once you arrive back at the village, you meet with the elder who informs you that Brazul (cookie cutter bad guy) is turning all of the dogs (Nativs) into wolves (Wolfen). →  It was the best of games, it was the worst of games