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My newest Gamefly mailing was Tomb Raider Underworld, one of the only games on my queue that isn’t new and low in availability. I figured that if the last two Crystal Dynamics led TR games were solid, that they’d follow it up with another winner. Boy was I wrong.

It isn’t that Underworld is terrible. Just incredibly mundane, and in some ways a step back from Legend. Whereas that game was much more linear and straightforward than Tomb Raider usually is, Underworld edges back toward the large, mazelike environments of the old games, where you aren’t always sure of where to go (especially when backtracking), and sometimes the next route pops up in a place you could have swore was blocked off earlier. It isn’t quite as bad as it used to be, but it was nice to play Legend and know you didn’t have to climb up several floors because you missed a jump. The game is also incredibly dark, which makes sense considering the setting, but it also makes it more difficult to determine areas you can access and where you should jump (again, just like the old days). →  Max Post 2: The Fall of Max Post

This is a transcript of a presentation I gave at the Women’s Institute last week.

In the ongoing, victimless, and utterly pointless console wars Capcom is America. It’s selling arms to everyone. Ammunition for all the fanboys to use on each other. Sure the Wii can’t do Dead Rising but then Zack and Wiki just wouldn’t work on the Xbox 360. HD is the only way to play Resident Evil 5 but then is there any greater pleasure than being able to carry around the entire original Resident Evil around on the DS? Science says no. So as the fanboys shoot each other down in flames Capcom continues to produce a stream of the greatest games that ever existed. So here are the reasons why I love Capcom.

Sure, we may all have our Capcom favourites. A Street Fighter fan here. A Resident Evil fan there but it’s only when we step back and take a look at the full spectrum one realises the full extent of Capcom’s awesomeness. →  Games are the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions.

I realize Metacritic is more than a little unpopular, but despite all of the problems produced by its aggregate scores it still functions well as a convenient index of professional reviews, which is my reason for referencing it in this post.

Gears of War 2 — I came late to the party on the Gears of War franchise, but it still had a fairly active and large fanbase that kept the hype alive and is also what eventually convinced me to play it. When I finally started playing my expectations were set especially high, and thus I was especially shocked when I discovered exactly how much I disliked everything about it. This game was such an unenjoyable experience for me that I went on to write a review of my own.

Every single one of the ninety reviews listed on Metacritic is outstandingly positive.

Chrono Trigger — There are a lot of things about games that I like just because I like them. →  Ring of Read

While searching the web for cats that look like Wilford Brimley, I stumbled upon an article on John Carmack’s view of the iPhone. He thinks it will pose a significant threat to handheld gaming devices. I think this is stupid. There are always the traditional reasons the iPhone won’t steal much thunder from handhelds: the battery life isn’t long enough and the lack of any actual tacticle buttons is a turn off for many and hampers control, but I am more fond of an analogy.

Proponents of the iPhone argue that developer freedom over content and cost will separate the platform from competitors. Let’s try this same argument to explain the death of game consoles:

Man of the Future: Did you hear about this new platform that nearly everyone in the country owns?
Hearer of Good News: What, a DS?
Man of the Future: No, it’s called a computer and it’s totally going to shake up the market!
Hearer of Good News: How so? →  Rule of Read

Last night I finally succeeded in persuading a friend to start Shenmue. It had been a long, drawn out affair. He agreed to play weeks ago but there was always some reason to put it off: my girlfriend was there and would be bored, a Nic Cage movie was on TV, I just got a PS3, I couldn’t find the VGA Dreamcast cable and wasn’t some sort of barbarian who could use S-video, a different Nic Cage movie was on TV, and so on.

As always happens when sharing something close to the heart with a friend, I was very nervous about how he would react. When I explained that at one time it was the best looking game on the market he said, “Yeah, this looks really good for 1991.” He probably doesn’t play games or look at calendars as frequently as I do. Had Shenmue come out a decade earlier it likely would have validated the many cults that worship Yu Suzuki’s as some sort of demigod, but even as a game from 2001 it still looks good today. →  It’s time to read and chew bubblegum… and I’m all outta gum.

Niche publisher Atlus USA is known for having a strict policy of printing very limited quantities of their games.  This allows them to keep costs down, and it keeps their fanbase in a rabid state wherein they will scoop up any new releases right away, even if they have to wait a year to find time to play it, or have to give blood to afford it.  But every so often, when the moon is full, Atlus decides to bless us with additional print runs.  The last notable example of this was in 2008, when they did a quiet reissue of three Shin Megami Tensei games on PS2.

But this month saw the publisher jump to action with far greater speed, shipping an emergency second printing of their new PS3 RPG Demon’s Souls just two weeks after its release.  This is a win win for everyone.  Atlus gets to benefit from fulfilling the extra demand, and we gamers get a better chance at experience the game. →  Zero Escape: Nine Hours, Nine Authors, Nine Articles

While the details are scarce, apparently Insomniac Games did some sort of “study” that came to an interesting conclusion about graphics fidelity.  Apparently, if gamers had to choose between great visuals with a choppy framerate, or smooth framerate and simpler visuals, they would choose the former.  Not only that, but they concluded that games that adopt the  former can even gain better review scores.  They go so far as to say that some study respondents claimed that better visuals made the game more fun to play. As a result, Insomniac will no longer strive for 60 frames per second in future releases, which used to be one of their top priorities.

Three thoughts come to mind.  First, I would love to see how they conducted this study (likely with focus groups).  Second, I don’t blame Insomniac for their choice;  apparently they do not like it any more than we do.  Third, I would like to hear the explanations given during the study, or even some examples of what games are considered to look “great”. →  Devil May Read 2

Brutal Legend is out this week, and already the praise and reviews are rolling in. That’s great, considering Tim Schafer’s Doublefine Studios has been around for ages with no apparent source of significant revenue, but I am not going to lie – I have no intention of playing it in 2009, and no idea when I might get to it in 2010. To be honest, I am not entirely sure what I am supposed to be getting excited for.

Is it because it is such an awesome parody of Metal? Between the works of Tenacious D, the show Metalocalypse, and even some of the jokes and jabs from Guitar Hero/Rock Band, I feel like this ground has been covered extensively in recent years. Hell, even Homestar Runner has taken a stab at it.  I have seen the arguments that this is something new and fresh, but that is only true if we limit ourselves to just games, which is hard to do when the aforementioned examples are often catered towards the same people who play games. →  Show me the reading!

The PSP remake of Persona 1 is out and about, and as expected both Chris and I are playing it. Since Chris will most likely review it before I even finish (I have yet to finish an SMT game), I wanted to share some quick observations.

I knew that P1 would be different in many ways to its PS2 sequels, which were my first experiences with anything Megaten related. This didn’t really bother me; while I have few hardcore, 1st person dungeon based RPGs under my belt, I am at the point in my gaming life where I can cope with most foreign genre conventions without feeling confused or overwhelmed.

Sure enough, P1 is a bit confusing at first. There are many parameters involved in any given battle, and the game does little to hold your hand along the way. For example, by the time you finish the Police Station early on a lot of other areas will open up, yet the game will never tell you. →  Reading more, assemble!

IGN recently launched a new site called Music Hub. Great idea, music games are popular so why not make a site dedicated to them? Let’s see what games they cover: Guitar Hero 5, Guitar Hero World Tour, Guitar Hero 3, Guitar Hero 2, Guitar Hero, Guitar Hero Aerosmith, Guitar Hero Metallica, Guitar Hero Van Halen, GH Encore: Rocks the 80s, Guitar Hero Smash Hits, Guitar Hero On Tour, GH On Tour: Decades, GH On Tour: Modern Hits, Guitar Hero Mobile Games, DJ Hero, Band Hero, and… and… that seems to be it. That sure is a lot of games, the guys at IGN were very diligent in ensuring that every relevant game is included. Nothing seems to be missing that I can see, nope.

Yes, I’m joking. The “Music Hub” is a joke. It’s an advertisement for Activation’s games masquerading as just another section of IGN. It does everything it can to shove Guitar Hero down your throat while avoiding at all costs directly saying that it’s a marketing tool. →  SaGa Frontier Readmastered