posts by chris
chris

Digital Distribution is the Future — and Soon it Will Have the Past too

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This evening I felt the need to sift through my old book of CDs — mostly PS1 and 2 games, but a smattering of PC.  First I noticed one game I had a digital copy of, then another, then another… and, well, things went on like this for a while.  By the end of it I had a small pile of games I had bought twice — voluntarily, of course, to support distributors bringing such old games back.  And surprisingly, I play them, too — I had not actually beaten Baldur’s Gate II until a few months ago, when I purchased it from Good Old Games.  The set (which is incomplete, since it doesn’t include Kohan 1, Seven Kingdoms, or any Blizzard games) is below.

Much of my childhood (and high school... and college)

If I had to pick favorites in here, it’d be Master of Magic, Arcanum, and MOO2 — but honestly, all of these games are pretty good.  I can say that even having not played two of them (Planescape: Torment and The Longest Journey [okay, so maybe 20 minutes]).

 →  Europa Universalis IV: Articles of War

Review – Rune Factory 3

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I think Neverland is set for life with Rune Factory. Few other series can withstand being rehashed over and over again without much in the way of innovation. Most stagnate enough that even the die-hard fans abandon them. Dynasty Warriors is a good example of one of the few capable series; perhaps it’s because the beat-em-up is that ideal genre where one only need switch up a few move-sets and add new characters and people will be satisfied.

Surprisingly, this game does not directly cater to the, er, fur-inclined.

Surprisingly, RF3 does not cater to the, er, fur-inclined.

Despite the fact that every Rune Factory is very similar, the three I have played feel very distinct. In Rune Factory 3, you still raise crops, forge weapons, woo women, and fight monsters –  many more activities exist, most of which are variations on the rest, such as wooing monsters and forging women.  Along the way, you’ll naturally find a dark secret that threatens the fragile balance of the world. RF3 doesn’t have Rune Factory 2’s slow farming and ultimately disappointing plot arc in which the first 10 hours was a long prologue. →  Now is the winter of read this content.

Review – Nier

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The first thing you will hear when you start up Nier is swearing. Its intro, as with many other aspects of the game, may be an attempt to be unique. It also foreshadows (or is reminiscent of) a significant plot event. Either way, it’s certainly unusual. Much of the game seems like the intro sequence: it may be an attempt to be unique. It’s harsh and initially somewhat intriguing but each time through it loses a little bit of its charm. In the end, Nier seems to be saying something, but aside from a decent story filled with the requisite twists and turns, it’s impossible to really tell what.

Nier is not entirely a love-it-or-hate-it game, despite all appearances. Most reviewers panned it, saying its quests are too repetitive, its graphics too bland, its gameplay too derivative of the genre(s) it pulls from. I’m inclined to say this is all intentional – all other aspects of the game are incredibly well-done. →  There is only one really serious philosophical problem, and that is games.

Review – Fragile Dreams

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I had high hopes for Fragile Dreams. It seemed to have an unusual story, focused on post-apocalyptic loneliness and exploring a more or less empty, shattered world. And, even after moderately bad reviews, I looked forward to trying out what I still hoped would be a good game. After all, Opoona and Baroque both got worse reviews, and in my opinion they are a couple of the best third-party titles on the system.

Then I started the game. And therein lies the problem. Fragile Dreams, despite its nifty artwork, decent plot, and great music, purports first and foremost to be a game. And although it does not completely fail at being a game, it does come pretty damn close. It has a decent atmosphere – chilling, occasionally with that edge of tension that only decent survival horror games can manage – and then you get into combat and everything turns awful.

Among the larger complaints of certain older RPGs is that weapons break. →  Mr. Gorbachev, tear down this post!

Top 10 things wrong with video game reviews

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I know most of you came here for one thing, so I’ll just leave these here:

Replayability: 1/10
Challenge: 2/10
Controls: 6/10
Content: 2/10
Overall: 4/10

Feel free to check Metacritic to figure out how other people rated Video Game Reviews!

For the rest of you, I’ll go ahead and add a few more lines so you can tell all your friends about this great review of Video Game Reviews. This is a pretty awful game. I’m not going to tell you specifically how awful for a while because that might challenge you to decide what you like before I’ve told you.

Speaking of challenge, this game doesn’t have much. There are a dozen different difficulty settings (Gamespy, IGN, Gamespot, Metacritic, and so on) but they all seem to really mean the same thing challenge wise. All are pretty easy, which means you will probably either love or hate them. There are a few bonus levels scattered here and there, and they’re more difficult, but you pretty much have to look up how to reach them in a FAQ because they’re almost impossible to find on your own. →  Europa Universalis IV: Articles of War

Review – Infinite Space

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As a fan of the occasional science fiction novel, I’ve wanted to see a real sci-fi JRPG for a long time. The Star Ocean series occasionally tantalizes – then I’m reminded once again that the vast majority of each Star Ocean game ends up being the standard medieval fantasy-themed magic-filled claptrap anyway (or super-science with no explanation, which as we know is indistinguishable from the former). The Phantasy Star games have a science-y atmosphere, but they’re more post-apocalyptic in nature and there are only bits and pieces of the sci-fi around. Xenogears and Xenosaga probably come closest, but the former was more fantasy themed and the latter was too focused on inappropriate religious references to bother with much science, despite all the spaceships flying around and weapons research going on.

I ultimately expected Infinite Space to be the same sort of disappointment, and was pleasantly surprised. Although the game doesn’t go into the details of how the ship engines work or what the warp-gates are (for good reason on the latter), it was still a highly space-y game. →  What is word? Baby don’t read me.

Review – SaGa 2 DS

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Akitoshi Kawazu has sort of a shaky reputation among RPG fanatics.  He gets the occasional hit – if you can indeed call them that – with games like Final Fantasy Crystal Chronicles.  More often he makes games that have only a niche following at best.  He’s best known for his work on the SaGa series, which hasn’t had a great game in a long time.  I suppose you might be able to find a few people who liked SaGa Frontier or Unlimited SaGa, but then some people like pain and insurmountable learning curves.

There’s one game, however, for which I have to really give him credit.  Among the first creations that were wholly Kawazu’s was SaGa2 on Game Boy, which we saw as Final Fantasy Legend 2.  Its huge variety of settings, equipment, and character types appeal to me just as much as a solid, well told plot and more than magnificent graphics.  It has an atmosphere that sparks the imagination, setting ablaze a fire of possibility in my brain that rivals those from Lunar and Skies of Arcadia.  →  All happy games are alike; each unhappy game is unhappy in its own way.

Review – Sands of Destruction

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How is it that nobody can make a good JRPG for the DS? Some remakes have been all right, and a strategy RPG or two have been good. But every original RPG for the system seems somehow tainted by the platform. Black Sigil, Nostalgia, Beyond the Yellow Brick Road – hell, even a Suikoden spin-off was barely up to par on the system. Sands of Destruction is sadly no exception.

This isn’t to say it’s a bad game. Sands of Destruction’s problem isn’t that it’s actually bad – it’s just that it’s never good. It manages to be almost entirely middle-of-the-road throughout, with no particularly exciting moments and only a few terribly boring ones. Its plot has an interesting premise, but gets dragged down by bland characters and predictable twists. Combat has the potential to be interesting, but is so easily broken that it ceases to be fun after the 8-hour point. Finally, despite compositions by Yasunori Mitsuda, none of the music is really memorable. →  Prince of Postia: Article Within

Review – Vandal Hearts: Flame of Judgment

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Watching a beloved series re-emerge after years of lying dormant is always disconcerting. On the one hand, it’s nice to see developers expand on a world already well-fleshed out and attempt to recapture something that was thought lost forever. On the other hand, it may be worse to have a crappy sequel than to have no sequel at all. Worst of all would be a sequel that’s good enough to look promising and manages to recreate many of the best elements of the series, but ends up being mediocre and only dulls the series in the fans’ eyes. The last, unfortunately, is the case with Vandal Hearts: Flame of Judgment, a western-developed entry in Konami’s strategy RPG series.

It’s not that the game doesn’t have good elements. On the contrary, it’s brimming with promise: there’s an impressively deep skill system that makes leveling transparent and continual; variety in the missions ultimately makes several scenarios better than many in the original Vandal Hearts games; bonus “treasure” maps allow for hidden stages, and skirmish maps let the grind-lovers do their thing. →  Think outside the post.

Review – Shadow Hearts

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Continuing my trend of catching up on PS2 RPGs, I picked up the Shadow Hearts series a few months ago. Since a recent spate of games (including Demon’s Souls, which seems to be a videolamer favorite) has kept me busy, I’m just now making my way through the series. The PS2 may have an impressive spread of RPGs – as I’ve discovered, still playing games I had barely heard about – but Shadow Hearts really stands apart, despite being an early game on the system that hasn’t really aged well.

By far the most impressive part of Shadow Hearts is the atmosphere. Set a little over a year before World War I and taking place in both East Asia and Western Europe, SH manages to portray a surprisingly realistic world, given its focus on demons both internal and external. Some of my favorite parts of the game involve direct interaction with Japan’s army – though a little research indicates the writers confused pre-WWI events with pre-WWII events. →  Europa Universalis IV: Articles of War