“Revived” Franchises and Kickstarters

It’s no secret that I like Suikoden a lot.  Even the bad ones.  The series’ spiritual successor the Eiyuden Chronicles: Hundred Heroes got yet another trailer recently.  The creators are mostly saying the right things, indicating they’re focusing on things that Suikoden did differently from most games – having a large cast, involving that cast in the story (appropriately), and a relatively realistic and political scenario.

I’m a little worried, though, because past crowdfunded games that focused too much on recapturing an existing series’ magic lost sight of being their own thing, and end up being known as inferior copies.  Mighty No. 9 is probably the most notorious, but it’s definitely not alone in this.  Been there, got the t-shirt, still wear it ironically (probably), but honestly haven’t played the game.  Or Shenmue 3.  Or Pathologic 2.  But I spent money on them.  That’s on me, not necessarily on the developers of those games – and I’ve learned my lesson from those experiences.  →  Arc the Post: Twilight of the Spirits

The Future of Games I Care About: A Brief Overview of Crowdfunding

In early 2012, Double Fine launched a Kickstarter campaign for a then unnamed point and click adventure game meant to be reminiscent of studio founder Tim Schafer’s work on LucasArts classics Day of the Tentacle, Full Throttle, and Grim Fandango.  Kickstarter had been used to fund video game projects before the Double Fine Adventure campaign, but they were mostly smaller projects offered by developers with less of a reputation.  

In the intervening decade the template of high profile Kickstarter campaigns from well known developers has become familiar to onlookers.  Often a team or individual who built a reputation making games in a specific genre that has trouble getting funded by publishers in the current market (point and click adventure, shmup, isometric RPG) revisits that genre by turning to Kickstarter for initial funding and potentially to prove to deeper pocketed publishers that there is sufficient enthusiasm among fans to make the concept viable.  The trappings of these campaigns have also become familiar to those of us who participate: stretch goals for exceeding the initial funding target that could include additional characters or areas, hiring a well-known composer for the soundtrack, or additional game modes; the temptation of physical copies, art books, soundtracks, in-person meetings or even dinners with the developers, and other perqs for higher tier pledges; and updates that arrive frequently throughout the campaign to stoke enthusiasm and inevitably slow down as the game enters the long period of development.   →  OutRun 2006: Post to Post

Waiting for Arc the Lad – PlayStation RPG Memories

In the early months of 1995 my friends and I poured over every drop of PlayStation information we came across, whether it be a magazine ad with Polygon Man telling us the system was more powerful than god, Sony suggesting we were UR NOT E, or the giant cardboard cutout of whip wielding Sofia at the local Palmer Video that still managed to be half an hour away. The older consoles were looking less appealing by the day (thanks, Vectorman), especially when compared to generation-defining beauty such as the widely advertised Battle Arena Toshinden (Sofia wore leather, you see, which really pops when rendered in cardboard).

By the midpoint of the 90s my friends and I were all 13 and desired a higher caliber of digital entertainment regardless of platform – the RPG. The first one previewed for the upcoming PlayStation console was called Arc the Lad and we all eagerly anticipated the game and expected it would be available soon after the system, at this point having no concept of localization, publishers, and all the messy stuff at the rotten core of the game industry. →  Contains 10% more consonants than comparable articles.

Awful Boss Fights

What do Wolfenstein: Young Blood and Halo: Infinite have in common? If you guessed that they’re both mediocre games, you’d be right, but that’s not what I was thinking of.

No, what I was thinking of is that they both have similarly terrible final boss fights.

The basic rules of each fight are as follows:

  • They both take place in a vaguely circular arena. You’re exposed if you go into the center, but you can find some protective walls if you move toward the outer edges
  • The boss flies and/or teleports around hurling projectiles at you, some of which can be difficult to dodge when you’re also trying to shoot back
  • Multiple waves of enemy mooks spawn in to try and distract you
  • The boss has multiple phases

It is uncanny how similar (and similarly terrible) these fights are. The main problem they share is that because the arena is circular, there is no true cover. The protective walls along the exterior may block attacks from head on, but they can’t stop enemy mooks from flanking you from the left or the right. →  NiGHTS into REaDS

The Quest to Make Everything Playable

I have been on a long, expensive, two pronged quest to (1) make all games playable with original hardware (2) on my modern television. The two huge caveats are that it may all stop working at some point when the HDMI standard is replaced by something good, and “all games” actually means a lot of games, not “all games” as you would reasonably infer by my choice of the words “all games.” I covered some of my journey setting up old consoles for my OLED months back, so it is time to discuss the game portion. I will spoil it for you now – the answer is piracy.

Just joking, obviously I have cartridges and CD/DVDs for anything I have in ROM or ISO form because I deeply respect copyright law. It feels like just having the games should account for the majority of this whole project, but ripping or finding them in dark corners of the internet is the easier and cheaper part of the process. →  Read Theft Auto 4

Gamifying Exercise – An Exercise in Patience

Like a lot of middle class white collar workers, I should exercise far more than I do. It’s a  challenge that my spouse and I have been trying – and failing – to conquer for years now.

I’m not going to go into detail about why it’s challenging. Anyone with a modicum of empathy, with a modicum of experience with the stressors of modern life, and who isn’t an Instagram fitness influencer will understand that finding consistent time, motivation, etc. with which to regularly exercise is easier said than done for a whole lot of people (and if you have established a successful routine, it was probably really challenging to do so, regardless of what Survivorship Bias might tell you).

(For better or for worse, I’m also not one of those white collar workers who is obsessed with endurance sports because it’s the only way they can feel alive in their otherwise soul sucking existence. Between my hobbies, my family, and the work required to support my family, I feel plenty of joy, pain, sorrow, fulfillment, etc.) →  Ask not for whom the game plays, it plays for thee.

Gacha by the Nostalgia – Fanservice, or Predation?

I’ve played Gacha games – only four or five total – off and on for years.  I’ve rarely spent money on them, but I know they are – by design – predatory.  I find them relaxing and they offer just the right level of engagement for 10-30 minutes a day – sometimes more, sometimes less.

On some level, I know it’s a bad idea to play them.  Having played for years, I know the feeling of spending all your “free currency” on summons and getting nothing of value (where value can mean either a useful unit or a favorite unit).  It was tempting to spend real money – maybe $5 or $10 – to “support the game” and try for one last chance to get something good,but I managed to resist the temptation.  The games remained both a fun diversion and a distant threat.

I’ve stuck to games that are obviously pandering to nostalgia – primarily Final Fantasy Brave Exvius and Romancing SaGa Re;UniverSe (ugh), although I dabbled in the now-defunct Dragon Quest of the Stars for a bit. →  Did I do that?

What to Do with my Apple II

I have an old Apple II. I got it years ago at an antique store, for much less than the seller could have asked. The only problem is that it was just the Apple II, without any disk drives, and no software. That means I could do absolutely nothing with it.

Eventually, some family members got me a (single) disk drive and a copy of Apple DOS for Christmas. I eagerly plugged it all up, only to have it go up in smoke. Turns out that when the power supply gets old enough, it can’t really handle the extra power draw from the floppy drive(s). I don’t think I’ll ever forget the sight of blue smoke (or the smell of it) coming from inside the box.

So now I have a broken Apple II. It’s been sitting in my basement, on a cheap Ikea end table that is entirely too short to sit next to. I recently had to move it to make room for some exercise equipment, and that’s when I realized that I had to decide what I was going to do with it. →  Shadow of Read

Maximum Spoilage: Inscryption Loses its Edge

The Maximum Spoilage series of writings is focused on discussing aspects of a game that would spoil said game to any normal person. Please continue reading at your own riskryption.

Inscryption is a great game that perhaps begins with more greatness than it ends. If you have any interest in playing, and you should, I would really not read this. Anyway, after being forced to “Continue” a game from the top menu when you start the game for the first time, you realize your character is playing a card-based board game under some duress. The game is legitimately unsettling when it dawns on you that you’re a prisoner and the in-game game you are playing likely has mortal consequences. The Frog Fractions-esque ability to step away from the board game – where you play the in-game board game – and examine your gloomy confines, all while your captor remains invisible sans his eyes, lends the game an ambiance of true horror. →  It’s not you, it’s me.

My XCloud XPerience

As part of my recent foray in Game Pass Ultimate, I was able to test out Microsoft’s XCloud streaming tech.

To be honest, I didn’t even know it was available on PC. I don’t think MS did a great job with messaging about XCloud. Based on my (admittedly limited) perspective, I think it was originally only available on a handful of mobile devices, and then went into limited beta testing for PCs. I’m honestly not sure when it became generally available, but whatever. It’s here now, so let’s check it out.

But First, Stadia

I have some previous experience with Google’s streaming service, Stadia. I played Assassin’s Creed Odyssey as part of their initial beta test, and I also played Destiny 2 for a few nights back when they had a free trial period in the height of COVID.

Based on those experiences, I can say that, with a good connection, Stadia works really well. The games run smoothly, with pretty high detail and fast load times. →  Max Post 2: The Fall of Max Post