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I hate Halo and I hate Final Fantasy

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Not because I’m one of those rebellious gamers who thinks hating popular franchises is cool (though it is cool, you should try it), and not because Halo and Final Fantasy games are bad. I hate mega-popular franchises because gamers love them too much.

Every copy of Halo 3 sold tells Microsoft they should pay for a dozen more “I’m a big guy with a big gun and I plan on shooting you in the face, also there are aliens or Germans” games for the 360. Every copy of Final Fantasy Crisis Core sold sends the message to Square that they are right to limit original output and they should in fact support their enormous company by releasing 4,000 titles in the same series (or two).

Really I’m not mad at these games at all, but rather I’m mad at gamers. Of course you should buy Halo 3, it’s good, but buy some smaller titles, too. Take a chance on something you’ve never heard of, or better yet, do research and find a title that was well reviewed but failed to make a commercial splash. →  May God smite me if I stop reading here!

A deeper look into Nintendo’s bling

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Nintendo’s recent ascension to become the second largest company in Japan has been making news on a few sites which track the business aspect of video games. While it is true that a company’s market capitalization (basically a measure of what the stock market thinks a company is worth) has grown by leaps and bounds of late (as will happen when the price shoots up as much as Nintendo’s has) some of the underlying financial numbers are even more fascinating than the headlines.

By market cap, Nintendo is substantially larger than Sony (Nintendo is worth about $75 billion, to Sony’s $47 billion). In truth, this metric is only one way to judge the size of a company. What’s another, you may ask? How about sales, I answer. Sony’s sales are leaps and bounds higher than Nintendo’s. During fiscal year 2007 Sony recorded over $34 billion in net sales, while Nintendo brought in $7 billion. So in terms of sales, Sony is more than four times the size of Nintendo. →  Welcome to the Fantasy Zone.

PSP-2000: Two years too late

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Last month saw the introduction of the new PSP Slim. I gave my personal impressions on the silver unit earlier, but I wanted to go more in-depth with what the system means for Sony overall. In the last few years, Sony has been on a constant downward spiral in terms of consumer popularity. With a $600 system that has very few games and a handheld system that’s been out for more than two years and still has a less than stellar software lineup, Sony’s Golden Age has clearly been tarnished.

But I will say this: Sony has restored my faith in them with the PSP Slim. It’s an amazing piece of tech, no small thanks to the newly added video-out option through separate component video cables. If you were on the fence about the the first model, I can wholeheartedly recommend getting the Slim model.

You’re fat and nobody likes you.

Still, as much as I love the new system (Lumines 2 on an HDTV is fucking beautiful), I do have some reservations. →  Look upon my works, ye mighty, and read!

Weekly News We Care About Wrap Up – 9.21.07

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PSP outsells DS in Japan
Square’s Final Fantasy VII spin off for the PSP, Crisis Core, sold half a million copies last week. It also sold PSPs. Possibly not all of the 95 thousand Sony sold in the week, but likely around 80 thousand, which is how many more units were sold than the previous week. Sony’s business strategy should be clear – simply release a spinoff of one of the most beloved games of all time once a week and the PSP will handily outsell the DS in Japan 1.2 to 1.

Or, to quote someone from a forum I read:
“If DS stopped selling and PSP continued at this rate, it would catch up in 139.7 weeks (May 21, 2010).”

Does anyone else feel nauseous?

Home delayed till Spring
Good for Sony. I’d rather they take the extra time to polish Home than release it early. Nintendo’s Reggie recently mocked Home by saying something glib like, “I think that exists already, it’s called Second Life.” →  Start your journey now, my Lord.

Dual Shock 3 please, with a side of rumble

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Well, it’s official, rumble is back. Officially dubbed the Dual Shock 3, Sony has “listened” to its fans and added the most basic of features to their much scoffed-at SIXAXIS controller. Isn’t it amazing?!

Yeah, not really. This should have been implemented with the PS3 before it even came out. This is Sony playing catch-up, but it’s not the cool kind, especially when they make people spend $600 on something that lacks an integral piece of the gaming equation.

And why did I surround the word listen with quotation marks in my introduction, you ask? It’s simple, my dear reader. Other than being clever/snooty, I was trying to point out that Sony knew not having rumble in their PS3 controller was a serious problem the entire time. They didn’t need to listen to their consumers to see if it was a problem or not. Sony isn’t THAT dumb (which is debatable, I’m sure).

What they did need to do was get rid of that pesky lawsuit they had with Immersion, the company responsible for the rumble tech that Sony used in their previous Dual Shock controllers. →  Double your reading, double your fun.

Dreamcast Mania! – Great games you can’t get anywhere else

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Videolamer noticed that in our attempts to keep Dreamcast Mania! alive, so very many of our articles were about the things we missed out on, rather than a celebration of what we had. That changes now. Today we will be going over some of the absolute best games the DC (and only the DC) has to offer. These are not only the reasons why we loved it, but while we still do. These are the games that make it a system still worth owning and playing (meaning you won’t find games like Third Strike, which has a superior PS2 port).

Oh, and I only have a paragraph to describe each game. Prepare for distilled glory.

Soul Calibur – As far as I am concerned, the only game in the Soul series that you can argue was better than this one (and have me actually listen to you) is Soul Blade. For my money and time, this is still the pinnacle of the series. →  Katamari Damaread

Do bad games get better as they drop in price?

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Game Revolution gave Excite Truck a C, partly because it wasn’t worth 50 bucks. Does this mean that when the game sells for $20 they will change the review score to a B?

Factoring cost into a game’s review has always been something I try to avoid. It is very difficult to do. As much as I pretend games should be considered as stand-alone pieces of art and should not be compared to other things you could do with the money, this is at least partially idealistic bullshit. If a crappy $10 downloadable game is a waste of time, maybe it wouldn’t be at $1, and part of the reason it’s a waste of time is because an episode of Sam & Max is only $8. Clearly, on at least some level, it makes sense to consider the cost of a game when deciding whether you should recommend it to potential buyers.

Excite Truck will be so awesome when it costs $7.

 →  One must imagine video games happy.

Guitar’d Hero – Downloadable song packs sell like lightning

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Guitar Hero 2 on the 360 is making Activision loads of cash monies thanks to its downloadable content.

This is interesting on several levels. For one, I find it curious that people are gobbling up these song packs when all but one of them feature tracks from Guitar Hero 1. If you haven’t played GH1, then the packs are a no-brainer, but I personally will never play Smoke on the Water again after five staring it (great song to hear, boring as fuck to play through to the end).

Of course the news is outraging the Kids of the Internet (uh-woo-oh), who are quick to call us “Sheep” for buying these packs at a high price point. Aside from the fact that I haven’t actually bought them myself, I’m still cringing at this nerd rage. As I posted in the Kotaku comments section, let us break down the prices, a common tradition among gamers:

iTunes – 99 cents for a DRM’ed music track that someone just had to upload to a server

Guitar Hero track – roughly two dollars for a DRM’ed music track with not one but two notecharts, that someone had to upload to a server. →  You may say I’m a gamer, but I’m not the only one

Weekly News We Care About Wrap Up – 9.7.07

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Molyneux takes a shocking stand – his company is more influential than its competitor
In a recent interview, designer Peter Molyneux said that Microsoft’s Live will be more impactful than the Wii remote. Molyneux was clearly kidding – would anyone use the non-word “impactful” in a serious statement?

Pretend he was serious. Is Live more influential than motion sensing controls? This is not easy to answer, partly because it’s comparing apples to gypsies, partly because the Wii is very young and partly because in some form, both things being compared have already existed for years. At its base level, Live is the internet. Should we thank Al Gore for being more impactful on games than Microsoft? If that’s too far a leap, what about X-Band on the Genesis or SNES? Surely Seganet was impactful as all get out.
OMG Nintendo copied Hasbro!

The motion controlled Star Wars Lightsaber Battle game Hasbro released in 2005 is more fun than most Wii games. →  Hot Shots Post 3

Weekly News We Care About Wrap Up – 8.31.07

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Nintendo stops whoring out Metroid, or at least Retro stops
Please, let Retro make a game it wants to make. I know you own them and want to assign them to a franchise because franchises make all the bling, but it’s really not in your (my) best interest. You have no “mature” themed franchises left, unless you’re giving them the next console Zelda. An excellent developer like Retro also deserves to be rewarded – let them design a game from the ground up. It could be dark, with nudity and blood everywhere. Perhaps bloody nipples. You know, mature.

You would get what you need out of them – an awesome title for the older gamer who is too insecure to play something cute and candy colored. Retro would get what (I assume) they want – the chance to make a game without being assigned 75% of the design.

I know you aren’t Nintendo, reader. Addressing you as if you were was some sort of literary device, possibly onomatopoeia. →  An article approaches.
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