Cryptic’s Genius Relationship with Furries

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I have to give Cryptic Studios some credit: Realizing the current flood of MMOs on the market and the presence of another game that they helped develop in the exact same subgenre would hurt their sales, they created a business model for their newly released Champions Online that can thrive with as few as 10,000 subscribers. By catering to the niche of the niche and trying very hard not to even suggest that their new release is anything like the legendary and fabled World of Warcraft killer that fans have been waiting for for years now, Cryptic was able to explore cheesy silver age comics ideas to their fullest without having to live up to the lofty, unfulfilled expectations that are currently dooming Age of Conan and Warhammer: Age of Reckoning.

But deep inside a game of holographic floating brains and giant flaming apes is an unparalleled ability within a deep character creator to make a vast assortment of animal-based characters. →  Go ahead, read my day.

Review – Silent Hill: Homecoming

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The last time I reviewed a Silent Hill game, I was playing through SH:Origins, a PSP original developed by an American team with a greater focus on combat than previous games in the series. At the time, I made two points which I thought encapsulated the nature of Silent Hill games. Firstly, I asserted that reliance on locked doors, constant map checking, and finicky combat are an easy way to make your game feel tedious, repetitive, and full of cheap parlor tricks. True they can help create a frightening and oppressive tone when used correctly, but I would argue that no one has been able to do that since the very first game. Secondly, I stated Silent Hill games benefit from their tendency to shape enemies and environments around the mental projections of their protagonist. In the end, the experience left me pessimistic about the future of the franchise.

My return to the franchise finds me playing Silent Hill: Homecoming, which once again is American made, and focuses on combat. →  Ring of Read

Are you Smarter than 100 other Xbox Live douchebags?

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Reading even a few game sites is guaranteed to expose you to a certain amount of PR jizz: with machines like Microsoft, EA, Activision and others, it is inevitable you will be exposed to their products through the usual gaming channels. So it was with 1 vs 100 for me. By way of Penny Arcade, I was subjected to a face full of “OMG this game is awesome” jizz. But it was free, so I figured I’d check it out.

For those of you who have been held hostage in a shed for 18 years and were only recently freed, 1v100 is a gameshow that originated in the Netherlands and was hosted by Bob Sagat in the US. 1v100 pits the “one” against the “mob” in a series of trivia questions. The goal is for the “one” to outlast the “mob.” If a member of the mob gets a question wrong, he or she is out. As more mob members fail out, the cumulative prize pool increases. →  You’re tearing me apart lamers!

Game Concepts – Great ideas of Genius

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There are those among us who feel games are becoming increasingly predictable – a marketing dominated creative process where developers simply take elements from other successful games, try to throw in some token new thing and call it a day. So I thought I’d just throw out some slightly different ideas, just for the hell of it. If a butterfly flapping its wings can truly destroy the universe (as my people believe) then maybe this article can, uh, take down some butterflies.

Ashes of Destiny: The Cricket Saga

Okay, so you take a sport that everybody loves (Cricket) and you combine it was a genre that everybody really ought to love (RPGs) and this is what you get. I may also be liberally borrowing from the film Lagaan: Once Upon a Time in India, but I can make it different enough to stop the lawyers from getting involved. So, in a small village in India… no, no, uh… let’s say it’s in a made up country like they always do in Japanese RPGs. →  Read more, before it’s too late!

Review – Cursed Mountain

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Cursed Mountain is the latest game in the survival horror mountain climbing genre. It really wants to let everyone know that it’s scary, it has angry contorted faces all over the place, deep dramatic music, and lots of dark shadowy stuff everywhere. It also really wants to recreate the feeling of climbing up a mountain. You will have to literally climb every inch of this huge mountain. Except for a few parts where they jump you ahead a little, since only so much mountain can fit into a ten hour game.

This videogame is less “survival horror” (most noticeably absent from the game is the whole “survival” aspect) and more of a genre that I made up after playing Gears of War, which I like to call “on rails but not really.” It’s extremely linear and extremely scripted without actually being set on rails. Just to make everything clear, I don’t believe rails and scripts are bad things. A lot of history’s best games have consisted of pushing a forward button and a jump or attack button. →  Lame is what happens when you’re busy making other plans.

Review – Digital Devil Saga

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Atlus has a reputation for releasing games that appreciate in value. They print a bunch of copies, but they sell slowly at first but eventually you’ll need to trade in a console or two to have enough credit to pick them up.

Recently, they have been trying to curb that reputation – partly by printing more copies of new titles, but also by reprinting old games. Shortly before the ultimate demise of the PS1, they reprinted Persona 2, for example. More recently, they reprinted three Shin Megami Tensei PS2 games: Nocturne and the two Digital Devil Saga games, each of which had been selling for more than $60 for a good while.

Being the dedicated RPG enthusiast I am, I completed my PS2 SMT collection with the two DDSes when I heard the news. Being a slightly less dedicated collector than Jay (he doesn’t spend time playing games) I started up the first Digital Devil Saga a couple of weeks ago. →  Ask not for whom the game plays, it plays for thee.

Getting the Batcave Right

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Now that videolamer has become the haven for misfit and under appreciated games, a review of perhaps the year’s biggest release seems out of place and wrong. As such, no review of the excellent and entertaining Batman: Arkham Asylum will be drafted by me for inclusion on this website. Besides, the internet is already chock full of reviews and I really would have nothing to add to the conversation. But I will do a blog entry on a tiny detail that has almost no impact on the game whatsoever: How the Batcave was included, and what other video game makers will hopefully learn from this.

As Batman kicks ass and takes names all across the island that holds Arkham and its many criminals, he eventually reveals that he has a hidden Batcave just for such emergencies. This is not an unexpected revelation, as Batman is the ultimate planner, always thinking of ways to be prepared for whatever may come. While his peers spend their days thinking about Lois Lane or running fast or protecting the galaxy from the mighty Qu’lar race of subterranean bug people, Batman is always envisioning what he will do if something goes wrong. →  But the future refused to change.

Review – Wanted: Weapons of Fate

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These days, it does not take much to get a 3rd person, cover based action game greenlighted for production. Do you have some sort of licensed property to link it to? Then you’re golden! But if you really want to spice it up, find a property that has some sort of silly gimmick for you to work with. That will help justify having the publisher spend millions (and the consumer $60) on a disposable six hour experience. This is exactly the kind of mentality behind Wanted: Weapons of Fate, the tie in game to 2008’s Angelina Jolie vehicle developed by recently defunct developer GriN. In such a crowded genre, Weapons of Fate likes to think of itself as being different and better from the rest, similarly to its source material, this is nothing more than a case of self delusion.

Both the Wanted film and the comic book it itself is based on are blatant examples of power fantasies for young men. →  Game is dead. Game remains dead. And we have killed it.

Golden Jew’s Nuggets of Wisdom #5

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My initial thoughts of the DS, complete with its Nintendo Gimmick Stylus, was that it was a Junior Pokemon Power Ranger Machine (my affectionate nickname for the Wii that drives Jay up the wall). I had no desire to draw rainbows (for fear of pissing off these people) or successfully masturbate a virtual cat into ejaculation with a stylus, so the DS didn’t seem right for me. Of course, with a $200-ish pricetag and no games I like I didn’t seem like a PSP person either. I thought that my next generation future was the same as my high school prom future: bathroom abortion baby. Or more accurately, being date-less.

Then I started finding good RPG games on the DS. Etrian Odyssey (1 and 2), Chrono Trigger, Magical Starsign, Final Fantasy Tactics A2, Dragon Quest 4 (it gets a grudging “good” vote) and now Devil Survivor have all sucked me in. I had the desire to play nearly all of those games in my home, as opposed to on the go, which is the highest compliment a DS game can get from me–being the best available option in my house full of video game toys. →  Silent Post 2

Review – Personal Nightmare

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There once was a time where games were designed to ease the player into the gameplay, get him addicted, and then proceed to murder him. This was naturally because the games could only be sustained through a diet of quarters, and demanding a constant flow of money from addicted players was the most effective way to separate a gamer from his cash. Games today have the liberty to come in a lot of forms and sustain themselves in many different ways, so that cliché difficulty curve isn’t used so often anymore. Personal Nightmare, for example, simply murders the player right off the bat.

Personal Nightmare was made by Horrorsoft, creators of Waxworks (which I reviewed previously). Both inhabit the very specific niche genre commonly called “survival horror,” although they existed before that term was coined. In my review, I berated Waxworks for its poorly implemented and frustrating systems. Personal Nightmare anachronistically continues that tradition (Waxworks was made after Personal Nightmare) but through different means. →  Ikari Warriors 2: Postery Read