Reviews

Review – Async Corp.

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Async Corp is the latest, and probably last release from indie developer house Powerhead Games.  There are many reasons to mourn Powerhead’s departure, the biggest of which is that Async Corp. is a marked improvement over Glow Artisan, its award winning predecessor.  While Glow was a wonderful concept, Async demonstrates some of the fundamental qualities of the all time classic puzzle games.

In Async Corp, players are given two wells filled with squares of three different colors. Players select one square on each side to swap with each other in order to form a packet.  Packets are generated whenever some number of same-colored squares are arranged in the shape of a rectangle (squares being rectangles too, of course).  The rules of the game state that a swap can only occur if it will create at least one packet, and packets themselves can be cleared off the screen by touching them (clearing packets becomes, ultimately, the point of the game).

The most important similarity between Async Corp and other good puzzle games (and some traditional board games, too) is that it embraces the rule of “easy to learn, challenging to master”.   →  Think outside the post.

Review – Kayne and Lynch

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Kane and Lynch: Dead Men was, for lack of a better pun, dead on arrival in the minds of Internet savvy gamers, all thanks to the fiasco surrounding Jeff Gerstmann’s scathing review for Gamespot.com, and Eidos Interactive’s possible manipulation of the site.  That being said, if the controversy never occurred, I don’t imagine the game would have fared any better.  The signs of a troubled development process are all over the place, and the final product is a constant stream of highs and lows.

Where to start?  Visually, the background objects are gorgeous, but the foreground environments are criminally ugly.  The game often tries to hide this by placing levels in the dark, or by filling setpieces with several layers of tear gas smoke. It doesn’t always work, and when I got the chance to stare at some of the more atrocious urban environments, I wondered if I was looking at an Xbox 1 game.

Mechanically, it tries to do too much and too little.   →  Look upon my works, ye mighty, and read!

Review – The Last Remnant

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I’m still not entirely sure how I feel about The Last Remnant. On the one hand, its Akitoshi Kawazu pedigree shines through, with an incredibly nuanced battle system that never fully makes up for its terrible plot. On the other hand, that battle system is really very good and worth playing the game for on its own, it’s just that the plot was made even worse – seemingly deliberately – to balance things out.

Kawazu has a long history of working on the SaGa games, and it is entirely reasonable to call TLR a stealth entry in the series, since it has many of the hallmarks. Aside from standard battle system/plot dichotomy, there’s a wonderfully imaginative world that very little is actually done with, entertaining side characters that never really break into the third dimension, incredibly good music that has only bits and pieces of substance to go with, and enough sidequests to deliberately avoid the main story for hour on end. →  Lamers so loved the world that they gave their only article, so that everyone who believes in reading won’t perish but will have eternal lives.

Tatsunoko Vs. Capcom: etc, etc, etc

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In a sentence, imagine Street Fighter II with slightly nicer graphics and hyper combos.

In more than a sentence, why is it that Capcom’s fighting games are allowed to be so lazy and yet get relatively good reviews? Street Fighter IV, Marvel vs Capcom 3 and the 1.1 versions of both of those. Shallow and lazy. Particularly the versus series. Great potential for some kind of interesting story mode reduced to a handful of cool cutscenes.

So. What do you get in Tats vs Caps? Not a lot. Punch people in the head on seven stages in Arcade Mode. Punch people in the ahead against the clock in survival mode and punch as many people in the head before your life runs out in Survival Mode. Even for a Capcom game there is a paucity of unlockables. Extra costumes, still images from the ending, three movies, two and a halfish, some artwork, spinnable 3D models and a stage viewer are all available. →  All your posts are belong to us.

Review – Rune Factory 3

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I think Neverland is set for life with Rune Factory. Few other series can withstand being rehashed over and over again without much in the way of innovation. Most stagnate enough that even the die-hard fans abandon them. Dynasty Warriors is a good example of one of the few capable series; perhaps it’s because the beat-em-up is that ideal genre where one only need switch up a few move-sets and add new characters and people will be satisfied.

Surprisingly, this game does not directly cater to the, er, fur-inclined.

Surprisingly, RF3 does not cater to the, er, fur-inclined.

Despite the fact that every Rune Factory is very similar, the three I have played feel very distinct. In Rune Factory 3, you still raise crops, forge weapons, woo women, and fight monsters –  many more activities exist, most of which are variations on the rest, such as wooing monsters and forging women.  Along the way, you’ll naturally find a dark secret that threatens the fragile balance of the world. RF3 doesn’t have Rune Factory 2’s slow farming and ultimately disappointing plot arc in which the first 10 hours was a long prologue. →  Katamari Damaread

Alternate Take – Nier

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Note: Some folks on Twitter asked me if I was going to write anything about Nier after finishing it.  I obliged, as I did find the game very interesting, but I want to point out that the game was already reviewed by Chris back in December.  The original review can be found here, and I recommend you read it first.  It covers some of the same ground, and  Chris has a much better handle on the genre than I do.

Nier is a bog standard action adventure game in which the lock and key puzzle system of modern Legend of Zelda releases is replaced with traditional jRPG time wasters (mainly sidequests and weapon upgrades).  Its environments range wildly in style, but the over world sections tend to be empty, sweeping plains which don’t really tell you much when viewed as a screenshot.  The story is largely straightforward until the final third of the plot, which a deadline laden reviewer may very well not have reached.  →  A reader is you.

Review – Glow Artisan

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I have been meaning to review Glow Artisan for a very, very long time. Unfortunately, I had trouble sinking my teeth into it after just a couple of days (though those couple of days were, admittedly, fun). Did my struggles signify that it was, in fact, a bad puzzle game? I had to weight all the possibilities. My conclusion, at least for now, is that Glow Artisan is a good game, but it triggers a major psychological stumbling block within me.

Glow Artisan takes place on a grid of small squares. You are meant to color in the grid, using the three primary colors (which naturally create secondary colors when mixed) and an eraser. In addition, there are rules which dictate how you can manipulate each hue. A series of “glow emitters” sit next to the left and upper edges of the grid, which allow you to pull what is essentially a strip of color, either down through a column, or to the right, through a row. →  2 h4rdc0r3 4 U.

Review – Radiant Historia

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Radiant Historia gets so, so close to being a bona fide classic. For three quarters of its length, it was my favorite genre-piece since Demon’s Souls. After that, it segued into its (shockingly) boring, generic final act. The biggest surprise of 2011 became the biggest headscratcher.

Radiant Historia is a classically styled jRPG with a time travel mechanic at its core. The player guides the protagonist through two different timelines, with the ability to travel to the past or present of either of them at will, maybe to fix a mistake, or to ensure that a certain event occurs. Time travel is at the very core of the game’s design. It drives, and explains, so much of what goes on. For example, while the hero can travel between the timelines, he can’t travel into the future (at least, not any future he has yet to experience). Furthermore, the Time Children who grant him his power are not allowed to feed him information that would alter his decisions. →  The review for ‘Shark Sandwich’ was merely a two word review which simply read ‘Read Sandwich.’

Portal 2 Review Part 2/2: The Negative Review

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“Any motion picture–such as 2001:A Space Odyssey; Demon Seed; Silent Running or Forbidden Planet–or Star Wars–in which the most identifiable, likeable characters are robots, is a film without people. And that is a film that’s shallow, that cannot uplift or enrich in any genuine sense, because it is a film without soul, without a core. It is merely a diversion, a cheap entertainment, a quick fix with sugar-water, intended to distract, divert and keep an audience from coming to grips with itself.” — Harlan Ellison

It is probably safe to say at this point that everyone loves Portal 2. Just look at Metacritic, just look at the sales charts, just look at what anyone, anywhere is saying about it. So what’s even the point of different publications hiring different reviewers anymore? If every single review is glowing and adores the game for all the exact same reasons, then it seems not only natural but efficient to squash them into a giant aggregate number anyway. →  You had me at read more.

Portal 2 Review Part 1/2: The Positive Review

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The first Portal seemed so undeserving of its success. It was essentially a Half-Life 2 mod similar to Research And Development only with a new gameplay gimmick. The story was only added later in the playtesting phase because players were getting bored with room after room of puzzles. Since the developers didn’t have time to model and animate characters a disembodied voice was created from the same disembodied voice that appears in both Half-Life 2 and Team Fortress 2. The end result was barely marketed at all and distributed merely as a small bonus bundled with other “real” games. By all rights, Portal should have been enjoyed for what it was and forgotten afterwards, along with every other short puzzle game. But it wasn’t. Everyone loved the final product, puzzles, storyline, dialog, and all. Even though it lacked any of the budget, violence, sex, and marketing every other game had it did have some kind of magic that other videogames seem to have forgotten. →  Tokyo Xtreme Reader: Drift 2