posts by chris
chris

Review – Seven Kingdoms: Conquest

by

Imagine throwing the major pre-gunpowder empires in history into a grand free-for-all. The Japanese would have samurai and ninja, Vikings would have axethrowers and berserkers, Normans would have crossbowmen and knights, and so on. Now imagine adding in random demon lairs that attack human settlements. This is the setting of Seven Kingdoms, an RTS with several fairly deep mechanics, including unit loyalty, economy balancing, and a great espionage system. Its sequel would go on to refine each of these, adding more civilizations and the ability to play as the demonic races of the Fryhtans. Both have a deep complexity that keeps me playing when other RTS games start to feel too shallow.

Unfortunately, I am reviewing neither of these games here.

Seven Kingdoms: Conquest appears, at first glance, to be a continuation of the first two games. It adds a storyline in its campaign, which adds realism to the world so that instead of being thrown all together, the races are divided into epochs (i.e. →  Readalations: Persona

Review – Song Summoner

by

A game for the iPod? Don’t make me laugh! It’s one of those puzzle games, right? Maybe trivia? Rhythm-based? Well, “rhythm” is getting a bit closer. Of all the genres I thought I’d see on the iPod, a Strategy RPG would be last. Hence why, a mere day after hearing about Song Summoner, I bought it and gave it a try.

When you’re not expecting much, a game can amaze simply by being mediocre. This game cost me about the same as a fast-food meal, and I expected it to keep me entertained about as long. It exceeded my expectations – with decent style and good artwork and music – even though I can’t recommend it against many other strategy RPGs.

If you’re comfortable with the iPod track-circle controls, Song Summoner is pretty easy to get a hang of. Tracing the circle scrolls through selection options or movement squares, the center button confirms, and pressing the top of the circle cancels. →  Theme Postital

RPGs are bad “games”

by

The JRPG genre is filled to the brim with games that are so ridiculously easy they are bad “games” – in the sense that a game is something you should have to play optimally to achieve success. The Suikoden series, my favorite of the past two generations, has gone from being “somewhat tricky in one or two battles” to “a breeze at its hardest, with pretty much no thought involved.”

Part of this is a plague of the genre – the phenomenon of grinding. For those who don’t want to think about what they’re doing, grinding is an easy way out. There’s no need to play perfectly when you can spend a few hours killing baddies and come back able to beat the tar out of the bigger baddies. It takes time, but then JRPGs are filled with fluff already (mostly grinding, actually), so spending a bit of time leveling up doesn’t sound too bad.

But strategy is largely lost in RPGs. →  Go ahead, read my day.

Review – Knights & Merchants

by

Knights & Merchants is a sim’s sim. In fact, it’s a sim’s sim’s sim. They don’t come much simmier than this.

It’s not a new game, but it’s hardly well-known. The game is said to be quite popular in its homeland of Germany, but knowing no German nor Germans, I cannot say for sure. I came across it many years ago, and after actually doing research for an article, found that it is nearly 10 years old. An expansion, The Peasants’ Rebellion, came out in English more recently, although non-German resources on it are hard to find. For its age, Knights & Merchants does its job quite well. Depending on who you ask, that job could be creating a living and breathing city, sucking your time away like a sponge, or boring you completely out of your mind.

Knights & Merchants is primarily a resource-based city sim. You build roads and buildings, and each building produces or processes something. For example, a forester’s hut produces tree trunks by chopping down trees (via its mindless slave, the forester). →  Call me game-shmael.

Review – Persona 3 FES

by

Atlus used to be rather stingy about bringing games over. We received the first Persona, sure, but it was missing a large sidequest and the story was changed to make it take place in the US. We didn’t receive the first half of Persona 2, although the second half came introduced us to Atlus par: a good translation, but a small release that could not match demand. They are finally making up for their earlier slacking with Persona 3: FES.

FES contains the original Persona 3 (called “The Journey” here) with tweaks and improvements as well as an epilogue in the form of “The Answer.” Between them, we get about 100 hours of solid, story-heavy JRPG, all for the wonderful price of $30.

For those who weren’t reading the first time around, Persona 3 is about a group of highschoolers who find themselves wielding a power, called Persona, that they don’t fully understand. This power allows them to fight against the malevolent beings known as Shadows that appear during the Dark Hour – a “gap” in time between midnight and the following day that few know about. →  Double your reading, double your fun.

Review – Final Fantasy Crystal Chronicles My Life as a King of the Jews

by

Final Fantasy Crystal Chronicles: My Life as a King is a simulation game. When I first saw the name, I thought it would be another delightfully (?) simple RPG. Instead, here we have a delightfully simple sim; in fact, MLAK is hands-off nearly to the point of annoyance.

In MLAK, you build your city structure by structure and converse with your citizens (when they are willing to talk to you, that is). That is just about it. The city is composed of empty green glowing spaces that mark where you can place buildings when you have the resources needed for their construction. These buildings range from houses to various shops for your citizens and adventurers. You commission these adventurers to explore the surrounding wilderness to get more resources and advance the plot, and occasionally they will actually do so.

This should feel familiar to anyone who played Microprose’s old PC RTS Majesty. You hire some heroes, give them some nice shops, and then they would immediately run off and die, start stealing from your kingdom, or hide from the scary trolls in their rooms. →  Oops, I did it again.

Short RPGs for fun and profit

by

Almost a month ago, Persona 3: FES was released. It not only contains the definitive version of my favorite RPG, but it has an extra “epilogue” chapter as well.

This is a cause for much rejoicing. I started playing it immediately, and so far I’d say I would pay the $30 just for the improved first game. But herein lies the problem, and the crux of this article: It has been a month and I am still playing it. Not only that, I’m still in the first section; the remake.

I love RPGs. I love playing lots of RPGs. But I also like having time for other, trivial things, like working, sleeping, eating, and the occasional shower. Most games in the genre are long; sometimes the length necessary for fleshing out the story, but more often it is just padding. Over the past couple of years alone, I’ve completed more than a few RPGs that clocked in at 60 or more hours. →  Think outside the post.

Review – Opoona

by

If a game contains art, is the game itself art? Is it moral for the local populace to manipulate an alien child into doing their bidding? What in the hell does that old engineer want with a sand weasel? These questions and more are asked in Koei’s latest published game, Opoona.

Reviews have not been altogether friendly to Opoona. I am here to tell you that yes, it may well be a horrible game. It has an occasionally annoying camera, a bad translation, and it’s easy to get lost even in the first dome-city. I am also here to tell you that I still really enjoyed Opoona despite these flaws.

But is it art?

I’ll get the bad parts out of the way first. First off: No voice acting. Sorry. I didn’t care; hell, I didn’t even notice until I realized the whole game sounds very uniform and ambient. Nothing breaks it up. Some people think this is a negative. I’m just glad they didn’t give Opoona and his siblings horrible squeaky voices. →  SaGa Frontier Readmastered

Random Old Game – Snake Rattle ‘n Roll

by

The NES had so many goofy oddball games, it’s nearly impossible to keep track of them all. Snake Rattle ‘n Roll stands out from the hordes via upbeat jazz music, a bizarre (therefore original) sense of style, and fun cooperative gameplay.

You play as snake(s) appropriately named Rattle (and Roll). To get through the stages, you avoid or defeat strange, snake-hating enemies, from water-dwelling sharks to razor blade traps to giant, snake-crushing disembodied feet. Your objective is to get to the moon for reasons unknown. Placed at specific points in the level are pellet dispensers, which shoot out pellets which you can eat. The pellets try to avoid you in a different way each level; the early ones simply roll or walk, while later ones will bounce or fly away. In an interesting touch, the walking pellets have tiny white feet; after your snake consumes one, it spits out said feet. Likewise with the later wings, et cetera.

Eating serves a couple of different purposes. →  Welcome to read.

Review – Phantasy Star 2

by

A little over a year ago, I attempted to play through the original Phantasy Star. It was a trying experience, considering there is little in the way of direction or newbie-friendliness in the game. In the end, cuddlier JRPGs prevailed and I lost interest shortly after recruiting Noah.

Last month, I finished a play-through of Paper Mario: The Thousand-Year Door and was looking for something else to play. I checked the Wii Shop, expecting once again to find an update with two, maybe three bland-looking clones of games already on VC. “Hmm”, I thought. “Phantasy Star 2…” a quick check around had me somewhat concerned. Most of my friends who enjoyed the Phantasy Star series told me not to even try. I shrugged and figured that if nothing else, my 800 Wii Points (which are no doubt all the more valuable due to the declining dollar and the burgeoning economy of Wiiville) will have gone to support classic RPGs.

A couple of hours later, when I told Jay I had started playing, his first words were “I’m sorry”. →  And so it games…