Review – Song Summoner

A game for the iPod? Don’t make me laugh! It’s one of those puzzle games, right? Maybe trivia? Rhythm-based? Well, “rhythm” is getting a bit closer. Of all the genres I thought I’d see on the iPod, a Strategy RPG would be last. Hence why, a mere day after hearing about Song Summoner, I bought it and gave it a try.

When you’re not expecting much, a game can amaze simply by being mediocre. This game cost me about the same as a fast-food meal, and I expected it to keep me entertained about as long. It exceeded my expectations – with decent style and good artwork and music – even though I can’t recommend it against many other strategy RPGs.

If you’re comfortable with the iPod track-circle controls, Song Summoner is pretty easy to get a hang of. Tracing the circle scrolls through selection options or movement squares, the center button confirms, and pressing the top of the circle cancels. →  Now bear my arctic post.

Review – Jake Hunter

You likely play video games for one of the following reasons:

To enjoy fun gameplay
To be amazed by pretty graphics
To fall in love with characters
To listen to an enthralling score
To read a well written story
To kill time because your life is entirely devoid of meaning, even fake, self-created, existentialist meaning

Bad news for those who play primarily for any of the first five reasons – Jake Hunter fulfills none of them.

The Hazakura temple or Neo Olde Tokyo would be nice.

Adventure games, specifically Japanese text adventure games, tend to lack dynamic gameplay and, as such, have a niche audience. If you enjoyed Phoenix Wright or Hotel Dusk you likely don’t mind game mechanics that are under-developed and only there to bridge text box A with text box B.

Jake Hunter’s crappy gameplay is the least of its problems, though it is alarmingly bad. It isn’t linear in the sense that until you find the next clue you can’t proceed. →  To be this lame takes ages.

Review – Army of Two

Army of Two is an attempt at many things, one of which is to capitalize on the recent enthusiasm for cooperative games. Co-op is arguably the number one most important bullet point a game can have in its press release. Even if it is hardly suitable for the game at hand, excluding it will cause many people not to buy your product.

In order to distinguish itself from the deluge of co-op titles, Army of Two attempts to integrate cooperative measures into every aspect of the game. It also tries to deliver some social commentary like so many hotshot developers and players crave in their desire to legitimize their hobby. Ultimately, the game shares the same major fault of so many of its competitors: it was rushed. The interesting ideas and promise shown in early previews are all missing, and the end product is the usual kind of worthless.

Yeah bra!

You can tell just how much the game wants to integrate co-op into everything that goes on, but most of these features are done only when the game allows, and others (like team snipe and weapon swap) are useless. →  Read Band 2

Review – Rondo of Swords

What we have already played shapes our opinions of new games. To an SRPG fan, a game like Luminous Arc is old hat. Yet people new to the genre may be taken in by the musical score, voice acting, interesting story and quality breast-focused character art. Without knowing what has come before, the game seems competent enough and can provide some good strategic fun.

The experienced SRPG fan likely sees Luminous Arc in a very different light. Its serviceable gameplay is often boring and it does very little to distinguish itself from older SRPGs beyond the innovative addition of painful load times between character turns. If you have played an SRPG or two in the past few years you will miss little by ignoring Luminous Arc. Of course if you are partial to the genre you may have already played the game and then realized the wallpaper images are the best thing to come from the design team.

Rondo of Swords would likely strike an SRPG novice as abstruse, masochistically difficult and ugly in both sight and sound. →  Tell me and I forget. Teach me and I remember. Bore me and I sleep.

Review – Resistance: Fall of Man

In Resistance: Fall of Man, scrappy human soldiers in the UK go up against a technologically superior (and seemingly alien) foe in an alternate, World War 2 era universe. To those uninitiated in gaming culture, this may sound like War of the Worlds updated by half a century.

If only it were that whimsical. As a PS3 launch game, you can’t fault developer Insomniac for making Resistance a comfortable and conservative experience, but at this point it is mostly good for building up interest in Resistance 2.

Almost everything in Resistance will be familiar to action game aficionados. While technically set in the early 1950’s, the outdoor environments are reminiscent of any World War 2 shooter. The enemy Chimera bear some resemblance to Gears of War’s Locusts, while their technology and architecture looks to have been contracted out to the Combine from Half Life 2. The controls are immediately familiar, the health is Halo style, and the friendly AI worthless.

About the only thing it does drastically different is the weapons, which is understandable because the developers are the guys behind Ratchet and Clank. →  Jet fuel can’t melt videolamer.

Review – Turok

The first Turok: Dinosaur Hunter came out eleven years ago and grew into a franchise of four games. While the original was well received the sequels received increasingly more critical reviews and the series eventually died. Disney bought the rights, created Vancouver-based Propaganda Games to develop a new title, and basically wound up repeating the lackluster performance of the last go around.

Overall Turok is mired in sub-par design in almost every aspect of the game. It uses the ubiquitous Unreal Technology to run the game and the developers weren’t able to make it shine as nicely as other third party developers. The environments are dull, rather fake looking, and use a slim palette of colours. The character models and dinosaurs look pretty good but they are nothing new and therefore fail to impress.

They also didn’t get the shooting entirely right and in my bible this is the one sin thou shalt not do. A most excellent standard that good shooters adhere to is the ‘aim down the sites’ style of play. →  Jet fuel can’t melt videolamer.

Review – Lost in Blue 3

Hey guys, there’s a island survival game with the word “lost” in it. It has flashbacks, a secret lab, mysterious blah blahs, and blah blah blah. Sound familiar? Surprisingly, Lost in Blue 3 is the first of the series that grossly appropriates themes from the um… “popular” TV series Lost, and it makes the game a whole lot more fun!!! Just kidding.

Dolphin sing along!

I remember the first time I played The Sims. There I was, in an apartment full of moldy food, girlfriendless, and soaking in a pool of my own urine, gleefully being much more tidy and put-together in the virtual world than I ever could be in the real one. I didn’t get it. Why was picking up virtual trash actual fun when I hated doing it in the supposedly more interesting 3 dimensional world?

Lost in Blue 3 has a lot of similarities to The Sims – one has to manage status bars by eating food and what-not – but still manages to be quite a bit less fun. →  For I have come to turn a man against his father, a daughter against her mother, a gamer against their game.

Firaxis Rage

I love Civilization. I really do. I’ve been on a massive kick of Civ 4: BTS multiplayer recently, and I’m eager for Civilization Revolution, as are many of my friends. But I can’t excuse some of the ridiculous activities that Firaxis has been engaged in lately.

First, they release ANOTHER faulty patch for Civ 4. Fanboys would tell me to shut the fuck up and enjoy this wondrous bounty from Firaxis: after all, with Civ 3 Conquests they promised a patch that never came. But despite this, I can’t help but be angry that they produce another patch that is so bug-ridden it requires a user patch. After their criminal negligence with this title, the least they could do would be apply QA resources to ensure that their name is more synonymous with “quality programming” than “you suckers will buy anything we produce, ha ha ha.”

They then follow up this indignity by revealing that in addition to diverting all of their resources to Civilization Revolution, they are going to be releasing a Colonization remake. →  Michigan: Article from Hell

Review – Guitar Hero: Aerosmith

Say what you will of Activision and Neversoft’s handling of Guitar Hero, but the idea of themed games revolving around a particular band is a good one. Celebrating the history and catalog (as well as the conflicts) of a world famous band is a great honor. It allows young players to learn some rock history, and for their moms and dads to relive their younger years.

Say what you will about Aerosmith, but the band fits the above description, and have been a huge influence on the rock world for better or worse. Finally, I get to say that while I like Neversoft more than a lot of gamers, there are a few kinks they need to address if they wish to continue making these themed games. GH Aerosmith is better than I expected, featuring more care and new content than I anticipated. The game is in a strange middle ground, more substantial than the miserable GH 80’s, but priced like a full fledged sequel. →  18 Wheeler American Pro Reader