NISA, no sir

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I haven’t played any games localized by NISA, save for the 15 minutes I’ve spent with Disgaea on PSP.  Yet I find myself fascinated with the company, thanks to the many stories of I hear of the mind boggling mistakes and blunders they have suffered over time.  Here are a few that I have heard of, complete with links to disappointed gamers discussing them (warning – links may contain dangerous doses of weeaboo).

– Ar Tornelico 2 features poor translation, loss of vocal work, and a crash bug for one of the last bosses.

– DLC for Disgaea 2 on PSP pulled, then returned after being buggy.

– Disgaea visual novel officially announced with a typo ridden, horribly awkward sounding  comic.

– Holy Invasion of Privacy Badman! (What did I do to Deserve This?) leads to a lawsuit from Warner Bros. for its similarity to a classic catchphrase coined by Batman and Robin.  The second game will be delayed by two months, while the original version will be pulled from the Playstation Network until modified, thus creating one of the first examples of a digital collector’s item.  →  It’s not you, it’s me.

Review – Children of the Nile / Alexandria

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Children of the Nile is a continuation, and possibly the final installment of the fairly successful Pharaoh series, taking advantage of the excellent setting of ancient Egypt as a basis for a robust city builder. The people of ancient Egypt are civilized enough to be needy bastards– a prerequisite for any builder, and in an era filled with war and great deeds, we’re off to the races of conquest and glory.

COTN’s greatest strength, without a doubt, is the ecosystem of its city. Your people have multiple “tiers” of social standing, with each level having its own behavior and needs. Your job, of course, is to keep those needs satisfied so their efforts can be directed towards doing useful things for you: killing your enemies and building great works in your name.

There are two backbones of the COTN experience: food, which serves as universal currency in a barter system, and the satisfaction of needs. Food is harvested by farmers, of course, and then wends its way through a variety of nobles (through taxes) and shopkeeps (for purchase of common and luxury goods, keys to happiness for your people). →  To be this lame takes ages.

Armored Princess Review: Part II

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Sometime while I was busy writing about how much the PC is awesome and how much BioShock sucks I realized that I was still actively playing King’s Bounty: Armored Princess and I’m overdue in my second review installment. I’m probably about half way through the game at this point. Considering I’ve spent a total of 35 hours so far, part of my brain is telling me to play something else that I have hope of finishing; but I just keep trudging on anyway.

Part 1 was about the world of Armored Princess. It dealt with things that people tend to think don’t matter in games. Whenever a critic rambles on about inconsistent details in fantasy worlds then they can expect insane fans to blow their comment section through the roof with defamatory accusations. Fortunately my reviews don’t get featured on Metacritic so no one cares about them and Armored Princess doesn’t have a lot of fans anyway. But the fans it does have might appreciate this review since it’s about a thing that supposedly is all that matters in a game: the gameplay. →  These are the games I know, I know. These are the games I know.

Why I Like Playing Games at my Desk

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I like to think of myself as above silly things like console wars, but let’s face it, we all have our certain preferences. When we were kids our preferences came from the fact that our parents would only buy us one console, so whichever one we got was automatically the best. Nintendo’s exclusives were always better than Sega’s exclusives. Sony’s exclusives better than Microsoft’s. Of course if you happened to be the kid who got a Genesis or an Xbox then the reverse became true. As an adult I’m mature enough to understand that each piece of hardware has its own strengths and weaknesses, and each deserve the same amount of respect. But I’m also a human, and I have certain tastes and preferences. They aren’t based on exclusives or brand names anymore, just my personal style. I’ve always been a PC gamer, even when I didn’t label myself as one. It was always the platform for me, and here’s why:

The PC has the most diverse and oldest available library

I can play games that came out in the 80s with no problem. →  Postgaea 2: Cursed Memories

Weekend in Review

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Pat came to town last weekend and we took a break from our regularly scheduled God Hand and Shining Force 3 to play a bunch of games we had but had yet to really play. Our backlog is daunting so spending 30 hours skipping from disc to disc felt productive, even if we only finished two titles.

Superman 64
Superman 64 is a landmark game by French developer Titus. No other Superman title has focused primarily on flying through hoops while Lex Luthor laughs. Widely regarded as unplayable, we began our weekend here with high hopes.

Pat: Over the past several months, Jay and I have been stockpiling a collection of the worst games ever made (guess how many Sega CD games we have) and of course this would have to be among them. The developers made some inexplicable decisons (like having Superman spend much of the game struggling to fly through hoops) but when you aren’t flittting around like Tinkerbell, at least you are ugly and difficult to control. →  The gamers have only interpreted the games, in various ways. The point, however, is to change them.

Building a Mystery… I mean a City Builder

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Growing up, I was a huge fan of Legos. Loved the damn things–I think I spent time after grade school every day building Legos and watching old Batman reruns (POW!). Now that I’m an adult, it’s not really appropriate for me to build Legos, but it is OK for me to play video games. This is probably why I gravitate towards city building games: I like the act of creation, and seeing the fruits of my labor, even if not a damn street in the city goes in a straight line because I am a creature of impulse.

While recently lamenting the lack of new city builders (triggered by playing Roller Coaster Tycoon 3 and associated expansions yet again), I decided to dig around for some of the “golden oldie” city builders. Immediately what came to mind were Tropico and Pharaoh, two very different, but very entertaining city builders. Imagine my shock when I found that both had additional installments in their series. →  Shining Post: Legacy of Great intention

Looking Back at BioShock

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The release date for BioShock 2 is around the corner; the game is already available for preorder in some places. So I’m going to take this moment to look back at the first game. BioShock one was kind of a big deal when it came out, and it still is; not a lot of games make it to the high 90s on Metacritic. Michael Abbot of brainygamer.com calls it “one of the defining games of its generation.” Calling three years ago a different generation is odd, but given the speed that the videogame culture moves, it’s not unreasonable. For better or for worse the statement is hard to dispute. BioShock left a lasting impression. Journalists for non-game oriented publishers even cite it as an example of how games can be an expressive art form. I didn’t play it when it was first released (I rarely do for games anymore). I waited for the hype (and the price) to die down, to see if it could withstand the test of time before I dropped twenty hours of my life into it. →  The post still burns.

Review – Eve Online Dominion

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Being primarily an MMO gamer for the past decade, I am continually amazed at my ability to be angry when developers release an untested pile of crap and demand you pay for it–which of course a gamer will. However, much as an old faithful geyser, my naiveté and then resulting hatred spring eternal. The latest source of my ire is none other than my mistress Eve’s latest expansion: Dominion.

Eve has continued to capture my attention for a variety of reasons. It remains an incomparable sandbox of player driven activity, a unique novelty amongst the “theme park” style that dominates MMOs today. The fact that it is a single server, one giant, interrelated universe also adds to its charm. And finally, the fact that their expansion packs, as a result of the other two reasons, are always free works to developer’s CCP’s favor.

Each expansion has focused primarily on a particular game element in gory detail. The latest expansion, Dominion, is targeted upon evolving what is known as “0.0” space, a lawless area where players can build their own empires and fight wars at an epic scale. →  This post are sick.

Armored Princess Review: Part I

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I’ve been playing King’s Bounty: Armored Princess for almost sixteen hours now. For lots of games that would mean I’m approaching the ending, or perhaps I even surpassed the ending and cycled back to the beginning for another playthrough. Such is not the case with this game, I’ve only traveled to two and a half islands out of… I’m not sure. But judging by my incomplete map I’ve only covered a small percentage of the world. This is my primary motivation for taking a break and writing a partial review. It makes no sense to me if I wait another week or month to complete the entire game and then write a review summarizing all of the dozens of hours, at least those that I can recollect. Is it unfair to judge a game I have not yet finished? Don’t worry. As I said before, this is a partial review. I plan to extend it as my progress continues.

THE REVIEW OF THE ARMORED PRINCESS
– Part I: The World of the Armored Princess –

Art has the power to teleport you into a different world. →  Postgaea 2: Cursed Memories

Resist the Temptation

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I just recently finished Resistance: Retribution on PSP. I’m not sure how I feel about it.  On one hand, I played through its campaign in three straight nights of gaming, which means it was least somewhat addictive.  On the other hand, I was so thoroughly finished with it by the end that I sent it back to Gamefly without exploring any of the extra content.  The entire experience can be summed up in this kind of love/hate duality.  For example, I admire how well developer Sony Bend managed to capture the scope and style of the setting on a more limited piece of hardware.  On the other hand, I couldn’t stand how many assets from their Syphon Filter PSP games were reused.  It isn’t just the control scheme they took — sounds effects, character animations, and even large chunks of the in game menus were reused in Retribution.  I can see that the time and money they saved were put to good work in realizing the franchise on PSP, but I couldn’t shake the feeling that someone was trying to pull a fast one on me. →  Ask not for whom the game plays, it plays for thee.