Giving the Right Idiots Power – The Rock Band Network

When Activision announced GH:WT would have authoring tools when Rock Band 2 would not, many reviewers and other industry sounding boards thought this was a critical error on the part of Harmonix. My reaction was “so what” – most gamers are idiots. Therefore I was uninterested in downloading their at best mediocre, but more likely putrid attempts to create music. Three hundred real songs (for Rock Band 2, which continues to focus on professional DLC) and 5,000 removed user made remixes of Zelda and Mario music (for GH:WT) later, it appears I was correct. Authoring tools for the common man are useless, particularly when the item authored is as complex as a four instrument track song.

Harmonix announced earlier this week they would be going in a different direction. Instead of catering to the casual gamer, who is likely an idiot, Harmonix is releasing an authoring tool system for small labels and musicians. →  May God smite me if I stop reading here!

Best Game Ever – Dungeon Keeper 2

One of the critical problems of the gaming industry today is that nearly every game is an adaption of a successfully proven concept. This is probably why there is a lot of hullabaloo (scrabble bonus points) whenever an interesting new concept game comes out, even if the concept and execution are flawed. But at the end of the day 95% of the time we’ve done it all before: whether we’re shooting aliens with force shields that are oddly susceptible to melee attacks (Halo), humans who have developed chainsaws with invulnerability shields (Gears of War), any civilization game, etc–despite minor variations, games are typically incremental improvements of a proven formula.

That is why I gave an exclamation of glee when I recently re-dug up Dungeon Keeper 2 (now classified as Abandonware, woohoo), a game with a refreshing concept that seems so simple yet has never been followed up on. →  Hey, hey, hey, it’s time to make some crazy reading!

Thoughts on League of Legends

For various reasons, many social, others masochistic, Defense of the Ancients (DOTA), the Warcraft 3 custom map, remains something I play frequently. All is not well in DOTA land, however, and I’m not talking about the fact that my friend Jimmy who I play with is a KSing coward. No, the bigger issue is that half of the DOTA managing community (functionally one guy) has split from the other half (another guy who does most of the programming) over a new game called League of Legends. I don’t really care about their breakup but it made for a catchy introduction to my League of Legends first thoughts.

League of Legends is the latest attempt by a stale gaming industry to build upon someone else’s idea, rather than come up with their own. →  Uncharted Waters: New Horeadin’s

Review – Avalon Code

Video games have made me weep for a variety reasons. Terrible voiceovers, crappy graphics, mind numbing gameplay, irritating music – if it is horrible I’ve probably suffered through it. But I’ve never experienced anything like Avalon Code before. Not for any of the above reasons – to the contrary, Avalon Code has superb presentation, surprisingly good voice acting (on a DS game, no less!), and an intriguing plot with an excellent premise. What makes me weep is that Avalon Code is a game that is so close to being one of the greatest action RPGs I’ve ever played, but falls short for the dumbest of reasons that indicate – yet again – a developer did a piss poor job of seeing if their game was actually fun to play.

The game begins with your happy go lucky hero (or heroine, you pick, just remember Jesus hates gender benders) being informed that the world is going to end in a horrific cataclysm in the rather near future. →  Are you ready for some readball?

Best Game Ever – Shadowrun

One of the hardest challenges of making an RPG is finding a way to integrate plot, setting and gameplay into something that is greater than the sum of its parts. Some games, like the Final Fantasy franchise, are surprisingly good at all three. Others unapologetically settle for one or two–Fire Emblem being an example of one that eschews plot and world for superior gameplay. But wrapping all three together, and doing so in an innovative way is a rare treat.

Finding a game like this in 1994 is even more amazing, but Shadowrun for the Genesis managed to pull it off when Square was trying to figure out how they could make the most complicated Final Fantasy plot ever–a feat that would take them nearly another decade to achieve, in 2001, with Final Fantasy X. →  Readalations: Persona

Review – Space War Commander

As many of you know, I am the Master of the 4X Universe here at videolamer (self proclaimed, patent pending). The echoing of these proclamations is so great, it reverberated from my mom’s basement where I live and into Dreamspike Studios and so they sent over a copy of Space War Commander to review.

Poking around the manual and the website, I was intrigued by the presence of starports, cruisers, interceptors and destroyers, along with asteroids to capture and harvest, and began eagerly looking forward to a sort of Spaceward Ho-esque game. I began to get excited, but I also had this vague nagging feeling in the back of my head that something wasn’t quite right.

You sunk my battle ship.

This feeling was correctly placed: although you have the usual things to expect in a game titled Space War Commander, including seven different ship types to build, asteroids and planets to control and enemies to slaughter, Space War Commander is not actually a 4X game. →  You may say I’m a gamer, but I’m not the only one

Best Game Ever: Star Control II

This Best Game Ever is brought to you by developers making their old games open source, which is a wonderful thing. Toys for Bob, the developer of Star Control I and II, released the game as open source in 2002 under the “Ur Quan Masters” title, since the name Star Control remains a copyright of Atari. The game is now up to version 0.6.2, giving an incredibly robust, bug free experience that surpasses the original 3DO version. I played the 3DO version back in the early 90’s, and I was overjoyed to find the Ur Quan Masters project and replay Star Control II. It’s free and fun – who could ask for more?

Star Control I set the stage for the franchise. The concept was fairly simple: a galactic strategy game with ship vs. →  Read like G did.

EVE Online – Patching Backward, not Forward

In the dawn of a new Era of Eve, as the Apocrypha Expansion delivers what can only be described as a fantastic experience, those of us grizzled Eve veterans can’t help but wonder: what about the old stuff? CCP, Eve’s developer, has long trumpeted their free expansions as one of the strongest points of Eve. And they should.

Despite Eve’s incredible learning curve, the game’s population has grown substantially over the past two years. When I first started playing Eve, the server typically had a population peak of around 30,000 concurrent users; this weekend, it was over 52,000. Eve, unlike other MMOs, is a single server, a single universe, which makes this all the more relevant: it’s clear that Eve is continues to control a niche in the MMO market.

Having played for so long I’ve noticed, as has CCP, that the biggest membership growths come on the heels of a new expansion. →  Readius III and IV

Review – EVE Online: Apocrypha

Apocrypha, the latest expansion of Eve Online – my gaming mistress with whom I continually flirt, tease, and occasionally enjoy for hours on end to the exclusion of all else – was recently released. Unlike many other MMOs, Eve expansions are free, with typically 2-3 major expansions released a year. Apocrypha is the latest, and perhaps one of the most ambitious expansions produced yet, with a variety of features for new and old players alike.

Most notable for new players is a revamping of the Eve character creation experience. In earlier versions, the character creation experience involved choosing a variety of broad traits for your character which would translate into attributes and starting skills. This process was extremely opaque, particularly for a new player, resulting in many players being confused with their starting attributes, often with a variety of worthless skills that prevented them from enjoying the game immediately. →  Do the math.

Counting the Game Industry’s Gold

Like most industries, the gaming industry is bound by the conventional economic wisdom that you must spend money to make money. Historically, that’s meant taking a loss on every game system sold (with the notable exception being most Nintendo consoles) in order to tap into selling game after game to console owners. This measure of success is known as the “attachment rate” or “tie ratio.” A somewhat (November 2008) dated Gamasutra chart shows that the Xbox was in the lead, with 6.6 games/system sold, followed by the Wii at 5.5 and the PS3 at 5.3.

This statistic has historically been a powerful metric for measuring market penetration and overall success for a console. After all, what’s the point of selling a console if you can’t sell game after game? But as with many things in today’s integrated media world, the lines have blurred and traditional metrics don’t necessarily tell the whole story. →  [do not click]