
In this third edition of the lamecast, our hosts share rants, discuss iPhone games, voice OnLive skepticism and debate the merits of the Dreamcast controller.
The correct answer to last lamecast’s “Win all of Don’s games” contest was “chartreuse.”

In this third edition of the lamecast, our hosts share rants, discuss iPhone games, voice OnLive skepticism and debate the merits of the Dreamcast controller.
The correct answer to last lamecast’s “Win all of Don’s games” contest was “chartreuse.”
Underneath every game’s artwork, sound effects and voice acting lies a set of core mechanics. All the extra stuff, the facade if you will, exists to enhance the mechanics and design of a game. I tend to value the facade less than the other half of the dichotomy because there are many examples of bad games with brilliant coats of paint and few if any examples of bad games with amazing design. Even so, the difference a little bit of well mixed paint can make is hard to overestimate.
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Ico and Zelda are very similar games with very different facades. The former focuses on giving the play rules context and emotional resonance while the latter indulges in playful variations of its mechanics while mostly ignoring the artistry that sits atop them. → Ba da bam ba baa I’m readin’ it.
Freedom, sweet freedom. Hours disappear, days melt away, weeks pass in a blur.
Having returned to a society that is busy imploding into an apocalyptic mess that any supervillain would be proud to have caused, I find myself spending my few sober hours preparing for the end of the world. And also playing video games.
I have been busy stockpiling bottlecaps, because we all know that bottlecaps are the currency of a world gone wrong. My stupid neighbor downstairs has taken a lesson from my fevered preparations and has begun to create his own stash of pop can tabs, but this is wrong. He will be penniless and alone in the wastelands of the near future while I will be king of all I survey. → The Read Star
The release of Resident Evil 5 has brought any number of potential problems along with it. Is the game racist? Will the co-op structure ruin the excellent formula laid down in RE4? Will fans cringe at the story?
These are all valid questions and unfortunately the game does not dispel all of our concerns. Having played it to completion, I find that the game ends up faring better in a few regards, and worse in others.

Capcom’s attempt at a hip hop video.
To begin, let me state that I do not wish to cover the racism aspect in this review. It isn’t that I don’t care about the topic, or that I believe it doesn’t exist. I simply feel that it is important enough that it demands discussion between people with sufficient knowledge and experience on the subject. → To be this lame takes ages.
As many of you know, I am the Master of the 4X Universe here at videolamer (self proclaimed, patent pending). The echoing of these proclamations is so great, it reverberated from my mom’s basement where I live and into Dreamspike Studios and so they sent over a copy of Space War Commander to review.
Poking around the manual and the website, I was intrigued by the presence of starports, cruisers, interceptors and destroyers, along with asteroids to capture and harvest, and began eagerly looking forward to a sort of Spaceward Ho-esque game. I began to get excited, but I also had this vague nagging feeling in the back of my head that something wasn’t quite right.

You sunk my battle ship.
The original Valkyrie Profile was, for a time, the poster child for good, rare, and probably overpriced PSX RPGs. In a surprising move a few years ago, Square Enix announced (to the joy of JRPG fans) not only a sequel, but a remake of the original. At the time I was interested, but had played through the original a couple of years earlier – not so long that I would want to replay it, but long enough that I had forgotten all the subplot related to the principal character of the sequel – the Valkyrie Silmeria. Not that there is a whole lot of it or anything, but it was important to me at the time. Despite the fact it is a prequel I’m glad I waited until I replayed the original – although it isn’t necessary, it clarifies much of the ending. → All you need is read.
Although I voted BioShock the best game of 2007, the more I play it, the more it shows me how far video games haven’t come.
BioShock has one of the most chillingly powerful locales and universes in video game history, but sadly the game can easily be labeled a first-person shooter. It doesn’t really try to redefine what gaming is, or can be. It merely extends it, even though it redefined what a video game universe can be. Rapture is a fully-realized world; to an extent never before seen in video games. Rapture’s existence had purpose. People had lives, dreams, and aspirations. And Irrational should be commended for that. The writing/designing in this game is something most people can only dream about, or simply do not have the balls to even try. → Genghis Khan II: Clan of the Gray Post
Your good buddy Spyder has done it again. I wouldn’t really say that I have once more fallen off of the wagon into a drug-induced stupor of epic proportions. I’d instead say that I kicked open a door, jumped a fence and flipped off my rehab counselor as I ran headlong back into the sweet arms of my smack habit.
While tripping balls in someone’s living room (do I even know anyone in Elko, Nevada?) I have decided to do a list post of really sweet NPCs. List posts are easy and take very little time, and since the wireless server I have connected to in this strange house is entitled “ByGunNutz4GunNutz” I should probably send this in and then keep moving. → You reading at me?

In this second edition of the lamecast, our hosts put Capcom’s two biggest franchises over the coals and EVE Online gets a new patch. In the thrilling conclusion, a discussion on in-game advertising erupts into violence when the importance of being told to buy Old Spice while playing Quake Live is questioned.
I love puzzle games. I don’t mean that I love most puzzle games, but that I love the puzzle genre. This actually leads me to hate most puzzle games because of the unreasonably high expectations I set for them. But when I do find one that I like, I really like it. Orbient is one of those games.
The gameplay is simple. You are a planet wandering through a two dimensional universe filled with other planets. Most planets just follow their orbit patterns, but for some unexplained reason you have the ability to control gravity’s effect on you. There’s a button to activate regular gravity, and a button to activate anti-gravity. As you wander you’ll have to use these strategically to control your movement. → Sonic the Readhog