Atlus

Shin Megami Tensei V, from the perspective of an SMT “fan”

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I’ll start all this off with a long caveat. Shin Megami Tensei 4 on the 3DS was the first real SMT game I finished. But since Persona 1 came out on PS1, I’ve played pretty much every SMT spinoff. The core series has such an iconic identity among RPG fans – “The Dark Souls of JRPGs,” (because Souls and SMT are both accessible, you just have to put up with a lot of deaths).

Except that last part is also ironic, because the first two SMTs are (legally) inaccessible in English unless you installed them on an early Apple device years ago before they got pulled. Anyway, what I’m trying to say is that I’m the kind of person a true SMT fan hates, while anyone who’s not a true SMT fan thinks is an SMT fan. Which includes me. I’m an SMT fan.

I played and dropped Shin Megami Tensei 3: Nocturne (this one weird trick will get true SMT fans to hate you). →  Hey, hey, hey, it’s time to make some crazy reading!

Review – Rondo of Swords

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What we have already played shapes our opinions of new games. To an SRPG fan, a game like Luminous Arc is old hat. Yet people new to the genre may be taken in by the musical score, voice acting, interesting story and quality breast-focused character art. Without knowing what has come before, the game seems competent enough and can provide some good strategic fun.

The experienced SRPG fan likely sees Luminous Arc in a very different light. Its serviceable gameplay is often boring and it does very little to distinguish itself from older SRPGs beyond the innovative addition of painful load times between character turns. If you have played an SRPG or two in the past few years you will miss little by ignoring Luminous Arc. Of course if you are partial to the genre you may have already played the game and then realized the wallpaper images are the best thing to come from the design team.

Rondo of Swords would likely strike an SRPG novice as abstruse, masochistically difficult and ugly in both sight and sound. →  In all ages, hypocrites, called producers, have put crowns upon the heads of thieves, called publishers.

A survey of 2007s role playing games

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Last year was a fairly interesting one for RPG fans. Some of the biggest names in the genre finished their PS2 swan songs long ago, and went off in search of new platforms. This left 2007 as a year for new ideas and lesser known series to take root and grab the hearts and money of fans. 2007 may not have had a big new Final Fantasy, but perhaps that is a good thing, as it allowed these other games to stand out, rough edges and all. While it comes a bit late, the following is an assessment of some of 2007’s biggest RPGs from both Chris (vl’s resident RPG expert) and Christian (who continues to look for the genre’s masterpiece). We also included FF12 in the mix. It may be a bit old to us modern folk living in 2008, but it is such a major departure from Square’s usual offerings that it deserves a bit more discussion on the site. →  Read Theft Auto 4

Gamestop and the Classics

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Despite the title, this blog post is another update on the (awesome) shenanigans going on with Atlus USA. About two or so weeks ago, Atlus quietly reprinted some copies of Shin Megami Tensei: Nocturne. It was so quiet that not even Atlus employees that often float around the Internet knew the details. The only reliable retailer that seemed to have it was Play Asia, but now we know quite differently. Turns out that a reprint was done for both Nocturne and Digital Devil Saga, and according to some Gamestop employees, almost every store was getting one copy of each game, brand new but labeled (and stickered) as used. Naturally this caused much rejoicing among the Atlus Faithful, and both games as well as Persona 3 FES are the top selling PS2 games on the ‘Spot’s website.

Initially, there seemed to be nothing bad at all about this news. I broke the bank to get my own copy of Nocturne, and since Devil Summoner and DDS2 are common enough to find, this is a chance for people to obtain every PS2 SMT with relative ease. →  Shadow of the Article

Non-Review Footnote – Persona 3:FES

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Last week marked an interesting release on American shores, as Atlus shipped out Persona 3:FES. FES is both an expansion pack and a revision to the original P3 – it mainly serves as an epilogue chapter to the story, but was also served with the original game as a “director’s cut” that added new goodies to the entire quest.

This kind of release is very rare on consoles. For example, whenever Square releases an International Edition of a hit RPG, you can be sure this nation won’t see it. Yet for whatever reason (likely due to success of P3 last fall), Atlus decided to grace us with more of this excellent game, rather than leave Western fans out in the cold as happens so many times. Not only that, but the price is only $30! Of course, this decimates whatever high prices the original P3 might have held on eBay, but that isn’t any sort of price compared to what we’re getting. →  Did I do that?

Review – Etrian Odyssey

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There is nothing more depressing than wasted potential, and, somewhat ironically, nothing more pleasurable than wasting potential. As I lay on my couch playing Etrian Odyssey instead of washing the dishes, helping the homeless or learning to read, my mind struggled to cope with conflicting emotions. I was enjoying that I was wasting my time, but not enjoying the time wasted. Is it hypocritical to be upset that Atlus squandered this game’s potential?

Etrian Odyssey starts off nice and difficult. I died on the first level and there’s a good chance you will, too. This high difficulty forces the player to engage in some old school level grinding, but I’ve always welcomed work in my time wasting, as long as society doesn’t benefit in any way. Besides being difficult, the first boss required some actual strategy to beat. I tried simply launching every offensive spell and skill at him, entirely ignoring the typically useless status augmentation abilities, only to die before his mighty tendril (note: boss may or may not have actually had a tendril; if he did, it may or may not have actually been mighty). →  Games are the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions.