Reviews PS3

Review – Haze

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If you still view Free Radical Design as “the guys who once did Perfect Dark and Goldeneye”, then their game catalogue might seem fairly weak. Second Sight was a successful experiment, and with the Timesplitters games they carved themselves a nice niche in the shooter market with their blend of Goldeneye inspired design and offbeat humor. To be frank, this is a very good situation to be in.

For those that would assume that Free Radical’s output is a failure should it fail to match Rare’s classic shooters, I would remind them that having David Doak and some friends start up their own studio does not automatically mean that the entire Goldeneye team was ready to rock. Goldeneye and PD were lightning in a bottle, something that can’t be easily replicated. Compared to most upstart devs, Free Radical’s output has been more than acceptable.

With the arrival of Haze, however, I begin to question this judgment. For lack of a better term, Second Sight and the Timesplitters games feel comfortable in their own shoes, while Haze is yet another heaping on the FPS pile, which by now is a mound of shit and compost made from scraps of Halo, Half Life and Gears of War. →  Now with fewer vowels.

Review – Soul Calibur IV

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Ever since Soul Calibur 2, it has been clear that Namco decided that their once experimental, more serious fighting game series could be another cash cow, if only they made a few tweaks. Thus we have been getting sequels that continuously emphasize style over substance, chock full of nerd bait for people on both shores.

True, the classic combat engine has always been there, but without any real dedication to the arcade scene it has become increasingly useless to the veteran fighting game fan. By the time Soul Calibur 4 was coming ’round the bend, the series was facing bugs, confused single player modes, and balance issues. When the early screenshots indicated an increasing focus on titillation, I was ready to write off the series.

But old habits die hard, and the allure of online play was strong. So here I am with yet another Soul Calibur, and I can safely say this is best one since SC1 (though that is a bit like saying Revenge of the Sith was the best of the Star Wars prequels). →  And so it games…

Review – Alone in the Dark

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Apparently, it is becoming the rule rather than the exception for games to be rushed to release, rather than given the time to properly simmer. There are a slew of factors causing this, such as soaring costs, tricky console hardware, and the fickle, tiny window of attention that the hype machine grants.

Of course, a rushed game can come in different flavors. In my last review, we saw how Army of Two lost most of its grand cooperative aspirations, but still managed to ship as a stable and competent action game. From a business perspective, this is acceptable as gamers will buy something derivative if it is polished well enough.

Another result is something like Alone in the Dark, where the grandiose ideas remain, but are held together by duct tape and the hope that bugs and glitches are not severe enough to cause the game to crash out from under the player’s feet. We here at videolamer appreciate new ideas enough that we try to give these games a fair chance, but Alone in the Dark reminds me of just how hard it is to assess a game that treads on the slippery slope between genius and basic playability. →  Screw Jesus, this article’s the real deal

Review – Army of Two

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Army of Two is an attempt at many things, one of which is to capitalize on the recent enthusiasm for cooperative games. Co-op is arguably the number one most important bullet point a game can have in its press release. Even if it is hardly suitable for the game at hand, excluding it will cause many people not to buy your product.

In order to distinguish itself from the deluge of co-op titles, Army of Two attempts to integrate cooperative measures into every aspect of the game. It also tries to deliver some social commentary like so many hotshot developers and players crave in their desire to legitimize their hobby. Ultimately, the game shares the same major fault of so many of its competitors: it was rushed. The interesting ideas and promise shown in early previews are all missing, and the end product is the usual kind of worthless.

Yeah bra!

You can tell just how much the game wants to integrate co-op into everything that goes on, but most of these features are done only when the game allows, and others (like team snipe and weapon swap) are useless. →  For I have come to turn a man against his father, a daughter against her mother, a gamer against their game.

Review – Resistance: Fall of Man

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In Resistance: Fall of Man, scrappy human soldiers in the UK go up against a technologically superior (and seemingly alien) foe in an alternate, World War 2 era universe. To those uninitiated in gaming culture, this may sound like War of the Worlds updated by half a century.

If only it were that whimsical. As a PS3 launch game, you can’t fault developer Insomniac for making Resistance a comfortable and conservative experience, but at this point it is mostly good for building up interest in Resistance 2.

Almost everything in Resistance will be familiar to action game aficionados. While technically set in the early 1950’s, the outdoor environments are reminiscent of any World War 2 shooter. The enemy Chimera bear some resemblance to Gears of War’s Locusts, while their technology and architecture looks to have been contracted out to the Combine from Half Life 2. The controls are immediately familiar, the health is Halo style, and the friendly AI worthless.

About the only thing it does drastically different is the weapons, which is understandable because the developers are the guys behind Ratchet and Clank. →  How many games must a gamer play before you call him a gamer?

Review – Turok

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The first Turok: Dinosaur Hunter came out eleven years ago and grew into a franchise of four games. While the original was well received the sequels received increasingly more critical reviews and the series eventually died. Disney bought the rights, created Vancouver-based Propaganda Games to develop a new title, and basically wound up repeating the lackluster performance of the last go around.

Overall Turok is mired in sub-par design in almost every aspect of the game. It uses the ubiquitous Unreal Technology to run the game and the developers weren’t able to make it shine as nicely as other third party developers. The environments are dull, rather fake looking, and use a slim palette of colours. The character models and dinosaurs look pretty good but they are nothing new and therefore fail to impress.

They also didn’t get the shooting entirely right and in my bible this is the one sin thou shalt not do. A most excellent standard that good shooters adhere to is the ‘aim down the sites’ style of play. →  Prince of Postia: Article Within

Review – Guitar Hero: Aerosmith

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Say what you will of Activision and Neversoft’s handling of Guitar Hero, but the idea of themed games revolving around a particular band is a good one. Celebrating the history and catalog (as well as the conflicts) of a world famous band is a great honor. It allows young players to learn some rock history, and for their moms and dads to relive their younger years.

Say what you will about Aerosmith, but the band fits the above description, and have been a huge influence on the rock world for better or worse. Finally, I get to say that while I like Neversoft more than a lot of gamers, there are a few kinks they need to address if they wish to continue making these themed games. GH Aerosmith is better than I expected, featuring more care and new content than I anticipated. The game is in a strange middle ground, more substantial than the miserable GH 80’s, but priced like a full fledged sequel. →  You may say I’m a gamer, but I’m not the only one

Review – Dark Sector

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Ontario’s own Digital Extremes began development of the long delayed and often re-imagined Dark Sector in 2004, and it was released earlier this year by D3 Publisher for the X-Box 360 and the PS3. I remember the early period because the teaser trailer was one of the first to come out for this generation’s hardware. Dark Sector started out in space but by 2006 it was made over into a bleak secret agent story.

Four years is way, way too long a development cycle for a video game. A game takes that long only when there are serious problems afoot, and it’s been my experience that when the game is finally released those problems are still there. Sadly, Dark Sector is no exception.

I am still very keen on the premise of Dark Sector. Imagine, if you will, the fictional Eastern bloc nation of Lasria. This country is cut off from the rest of the world and left to develop advanced weapons technology and experiment with strange biological compounds. →  Shadow of Read

Review – Metal Gear Solid 4: Guns of the Patriots

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Ahh yes, Metal Gear Solid! We come to it at last! If the blithering of pungent otaku hermits is to be believed this legendary video game franchise will act like a combination of Viagra and powdered rhinoceros horn on the superfluous appendage of the fanboy elite. Crafted over the course of years by the very kensai of console gaming; Hideo Kojima, Metal Gear Solid 4 — Guns of the Patriots is said to be the conclusion and crowning achievement of this twenty year old epic. The game’s protagonist; Solid Snake, nears the end of his life and with his last remaining days he will battle all adversaries, both old and new, for the freedom of the entire planet!

Not bad, eh? So after all that let me just come out and tell you what you want to know right off the bat: Guns of the Patriots is a must-have PS3 title for two reasons. The first is because the latest Metal Gear has some of the greatest things I’ve ever seen in a videogame. →  All happy games are alike; each unhappy game is unhappy in its own way.